新归于sapphop -diosphos画家工作室的一组黑色人物kyathoi重新考虑

Q3 Arts and Humanities Babesch Pub Date : 2014-01-01 DOI:10.2143/BAB.89.0.3034667
Delphine Tonglet
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引用次数: 0

摘要

本文首次提出将三件阿提卡的kyathoi归于萨福画家,并收集了其他可能属于这个后期黑色雕像工作室(公元前6世纪末至公元前5世纪初)的花瓶。通过对花纹装饰和形状的研究,进一步证实了在这个车间生产的阁楼kyathoi的一个重要部分是Psiax留下的遗产,C. Jubier-Galinier已经对一些作品提出了假设。对形状的研究使得对花瓶进行分组成为可能,这些花瓶仅在风格上是没有可比性的,而且它加强了以前对图形装饰的风格比较。同时指出了陶工的工作在组织和理解阿提卡陶瓷作坊中的重要性。
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New attributions to the sappho-diosphos painters' workshop a group of black-figure kyathoi reconsidered
This paper proposes to attribute, for the first time, three Attic kyathoi to the Sappho Painter and gathers together other vases that may belong to this late black-figure workshop (end of the 6th- beginning of the 5th century BC). It further confirms through the study of figured decoration and shape that an important part of Attic kyathoi manufactured in this workshop was a legacy left by Psiax, a hypothesis already suggested for a few pieces by C. Jubier-Galinier. A study of shape makes it possible to group vases which would not be comparable on stylistic grounds alone, and it reinforces previous stylistic comparisons of figured decorations. It also points out the importance of the potter's work in the organization and understanding of Attic ceramic workshops.
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Babesch
Babesch Arts and Humanities-Classics
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