{"title":"主观自由:《使女》多重视角下的女同性恋表达——女同性恋的主题表达","authors":"Menghan Wang","doi":"10.23977/mediacr.2023.040202","DOIUrl":null,"url":null,"abstract":": In the Korean film The Handmaiden , director Park Chan-wook does not adopt conventional narrative enmities or present traditional ethics. Instead, he uses lip close-ups to amplify the lust contained within the bodies of the protagonists. This is gradually brought to the foreground, where subjective freedom is expressed through various kinds of tension between the film’s characters. The present study analyses the film’s thematic expression and narrative characteristics of lesbianism.","PeriodicalId":30110,"journal":{"name":"MedieKultur Journal of Media and Communication Research","volume":"207 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Subjective Freedom: Expressions of Lesbianism from Multiple Perspectives in the Handmaiden—Thematic Expressions of Lesbianism\",\"authors\":\"Menghan Wang\",\"doi\":\"10.23977/mediacr.2023.040202\",\"DOIUrl\":null,\"url\":null,\"abstract\":\": In the Korean film The Handmaiden , director Park Chan-wook does not adopt conventional narrative enmities or present traditional ethics. Instead, he uses lip close-ups to amplify the lust contained within the bodies of the protagonists. This is gradually brought to the foreground, where subjective freedom is expressed through various kinds of tension between the film’s characters. The present study analyses the film’s thematic expression and narrative characteristics of lesbianism.\",\"PeriodicalId\":30110,\"journal\":{\"name\":\"MedieKultur Journal of Media and Communication Research\",\"volume\":\"207 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"MedieKultur Journal of Media and Communication Research\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.23977/mediacr.2023.040202\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Social Sciences\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"MedieKultur Journal of Media and Communication Research","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.23977/mediacr.2023.040202","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Social Sciences","Score":null,"Total":0}
Subjective Freedom: Expressions of Lesbianism from Multiple Perspectives in the Handmaiden—Thematic Expressions of Lesbianism
: In the Korean film The Handmaiden , director Park Chan-wook does not adopt conventional narrative enmities or present traditional ethics. Instead, he uses lip close-ups to amplify the lust contained within the bodies of the protagonists. This is gradually brought to the foreground, where subjective freedom is expressed through various kinds of tension between the film’s characters. The present study analyses the film’s thematic expression and narrative characteristics of lesbianism.
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