玛格丽特·波伦的《读者

Q3 Arts and Humanities Queeste Pub Date : 2020-01-01 DOI:10.5117/que2020.2.002.dlab
A. Dlabačová
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引用次数: 0

摘要

据悉,来自阿姆斯特丹的玛格丽特·博伦(Margriet Boelen)于1512年委托雅各布·科内利斯(Jacob Cornelisz)创作了一幅画,画的是她和她的家人的耶稣诞生和虔诚的肖像。这篇文章试图把玛格丽特描绘成一个书籍的拥有者和读者。她的(家庭)书籍提供了更多关于博伦一家的信息,以及玛格丽特的虔诚兴趣和宗教实践。玛格丽特的书——以及更广泛地说,关于早期印刷书籍所有权的信息越来越多——也引发了关于早期印刷书籍在更广泛的媒体中所扮演的角色的问题,尤其是在中世纪晚期的世俗虔诚文化中,文本和图像之间的关系。约翰·达格奈斯提出的“伦理阅读”概念适用于观看和阅读时,可以帮助我们了解外行读者和观众如何将文本和图像与他们的日常生活联系起来,并利用这两种媒体来提高他们的奉献精神
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Margriet Boelen as a Reader
Margriet Boelen, who hailed from Amsterdam, is known to have commissioned a painting from Jacob Cornelisz in 1512 with the Nativity and devotional portraits of her and her family members. This contribution attempts at portraying Margriet as an owner and reader of books. Her (family’s) books provide additional information about the Boelens as well as about Margriet’s devotional interests and religious practice. Margriet’s book(s) – and more in general the increasing information about ownership of early printed books – also trigger questions regarding the role of the early printed book within a wider array of media, and the relationship between text and image in late medieval lay devotional culture in particular. When applied to viewing as well as reading, the concept of ‘ethical reading’ introduced by John Dagenais can be helpful in providing an indication of the way(s) in which lay readers and viewers connected both texts and images to their every day lives and used both media to advance their devotion
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来源期刊
Queeste
Queeste Arts and Humanities-Literature and Literary Theory
CiteScore
0.10
自引率
0.00%
发文量
5
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