“成为歌曲”:爱丽丝·帕克,社区歌唱和忘却合唱的束缚

Pub Date : 2021-01-01 DOI:10.1386/ijcm_00033_1
J. Palkki
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引用次数: 2

摘要

这篇文章传达了关于参与式社区歌唱的研究,我通过不同的视角进行探索。我在采访爱丽丝·帕克(Alice Parker)时提出了我的想法和感想,她在领导社区歌唱活动方面有多年的经验,并从美国中西部每月的社区歌唱活动中收集了人种学数据。我通过一个“传统”合唱指挥的视角来分析这些数据,在进行这项调查之前,他对参与式歌唱传统知之甚少;我也利用奖学金来研究参与性和表演性音乐活动之间的差异。在我们的采访中,帕克女士借鉴了在这两个领域多年的经验,为促进社区歌唱活动提供了试金石,并指出了这些活动与更传统的合唱环境之间的明显区别。也许在反思这种二分法时,这两种重要音乐创作形式的推动者可以相互学习。
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‘Becoming the song’: Alice Parker, community singing and unlearning choral strictures
This article conveys research about participatory community singing that I explore through various lenses. I present thoughts and reflections from my interview with Alice Parker, who has many years of experience leading community singing events as well as ethnographic data collected from a monthly community singing event in the American Midwest. I analyse these data through the lens of a ‘traditional’ choral conductor who, prior to undertaking this investigation, had little knowledge about participatory singing traditions; I also utilize scholarship on the differences between participatory and performative music activities. In our interview, Ms Parker drew on many years of experience in both areas to provide touchstones for facilitating community singing events and also the distinct differences between these events and more traditional choral settings. Perhaps in reflecting on this dichotomy, facilitators of these two important forms of music making might learn from one another.
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