即bondarenko对折衷主义时期建筑实践的批评

IF 0.1 Q4 CONSTRUCTION & BUILDING TECHNOLOGY Russian Journal of Building Construction and Architecture Pub Date : 2022-12-09 DOI:10.29039/2308-0191-2022-10-4-71-75

E. Bazarova, Vladimir Shipkov

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引用次数: 0

摘要

新俄罗斯风格的明亮代表建筑师、建筑历史学家和艺术评论家邦达连科(I.E. Bondarenko)的形成在一定程度上与成熟的折衷主义时期相吻合。有趣的是他对同时代作品的态度，记录在他1939-1940年撰写的“艺术家建筑师笔记”中，该笔记仅在2018年出版。回忆录的另一个主题是对俄罗斯建筑折衷主义时期的评价。连同对保存在俄罗斯国家文学艺术档案馆(RGALI)的笔记、计划和展览计划的评论，显示了他的批评范围之广。

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I.E. BONDARENKO'S CRITICISM OF ARCHITECTURAL PRACTICE THE ECLECTIC PERIOD

The formation of a bright representative of the neo-Russian style of architect, architectural historian and art critic I.E. Bondarenko partially coincided with the period of mature eclecticism. Of interest is his attitude to the work of his contemporaries, recorded in the "Notes of the artist-architect" written by him in 1939-1940, which were published only in 2018. A separate theme of the memoirs is the evaluation of the period of eclecticism in the architecture of Russia. Together with the comments on the notes, plans and exhibition programs stored in the Russian State Archive of Literature and Arts (RGALI), they demonstrate the wide scope of his criticism.

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来源期刊

Russian Journal of Building Construction and Architecture CONSTRUCTION & BUILDING TECHNOLOGY-

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50.00%

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