{"title":"16世纪安特卫普的女艺术家:安娜·科布莱格斯失踪案(约1545/50? -66)","authors":"P. Simons","doi":"10.1086/718488","DOIUrl":null,"url":null,"abstract":"When living in Antwerp for many years, the Florentine merchant Lodovico Guicciardini (1521–89) compiled information about the region’s history and culture that he first published in 1567, complete with several maps. His brief descriptions of artists are useful to art historians, as is his attention to women artists. But one person in the latter category remains virtually unknown, and no work of hers has been discovered. It will be demonstrated here that, in part, Anna Coblegers’s invisibility is","PeriodicalId":43235,"journal":{"name":"SOURCE-NOTES IN THE HISTORY OF ART","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Women Artists in Sixteenth-Century Antwerp: The Missing Case of Anna Coblegers (ca. 1545/50?–66)\",\"authors\":\"P. Simons\",\"doi\":\"10.1086/718488\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"When living in Antwerp for many years, the Florentine merchant Lodovico Guicciardini (1521–89) compiled information about the region’s history and culture that he first published in 1567, complete with several maps. His brief descriptions of artists are useful to art historians, as is his attention to women artists. But one person in the latter category remains virtually unknown, and no work of hers has been discovered. It will be demonstrated here that, in part, Anna Coblegers’s invisibility is\",\"PeriodicalId\":43235,\"journal\":{\"name\":\"SOURCE-NOTES IN THE HISTORY OF ART\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2021-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"SOURCE-NOTES IN THE HISTORY OF ART\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1086/718488\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"SOURCE-NOTES IN THE HISTORY OF ART","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1086/718488","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
Women Artists in Sixteenth-Century Antwerp: The Missing Case of Anna Coblegers (ca. 1545/50?–66)
When living in Antwerp for many years, the Florentine merchant Lodovico Guicciardini (1521–89) compiled information about the region’s history and culture that he first published in 1567, complete with several maps. His brief descriptions of artists are useful to art historians, as is his attention to women artists. But one person in the latter category remains virtually unknown, and no work of hers has been discovered. It will be demonstrated here that, in part, Anna Coblegers’s invisibility is
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