‚类”:赠予现有schriftstellerischen Korrektivs作为工具和生存Selbstpositionierung Kierkegaards

IF 0.2 0 PHILOSOPHY Kierkegaard Studies Yearbook Pub Date : 2022-07-14 DOI:10.1515/kierke-2022-0015
Roman Winter-Tietel
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引用次数: 0

摘要

纠正的概念是克尔凯郭尔自我解释的关键范畴之一。主要位于他的日记中,它被克尔凯郭尔用来说明他作为一个宗教作家的任务。本文的总体目标是系统地发展这一概念及其与克尔凯郭尔全部作品的关系和相关性。在此过程中,它将通过引用相关概念,如殉道者、基督里的傻瓜或改革者,将该术语及其使用置于背景中,以便对纠正的意义和功能有新的了解。具体而言,将区分使用“纠正”的四种动机;它们有助于识别克尔凯郭尔作品中的那些元素和部分,这些元素和部分显然被认为是对“既定秩序”的纠正。“对这些部分的识别允许理解和批判性地评估克尔凯郭尔的观点,特别是那些看似片面和/或夸大的观点。毕竟,纠正的目的是为现有秩序服务,而不是作为它的反对者或敌人。因此,根据克尔凯郭尔的观点,纠正的任务是深刻的辩证,同时是肯定的和批判的。然而,考虑到后者,历史和文化背景是至关重要的,因此不能忽视;因为如果不这样做,就会错误地把纠正当作绝对的规范——这是一种错误,它会致命地重复它所要纠正的缺陷。
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‚Für das Bestehende spendiert‘: Die Kategorie des Korrektivs als Instrument der schriftstellerischen und existentiellen Selbstpositionierung Kierkegaards
Abstract The concept of the corrective is among Kierkegaard’s pivotal categories of self-interpretation. Situated mainly in his journals, it is used by Kierkegaard for the purpose of specifying his task as a religious author. The overall goal of the present article is systematically to develop the concept and its relation to and relevance for Kierkegaard’s entire oeuvre. In doing so, it will contextualize the term and its use by invoking related concepts, such as the martyr, the fool in Christ or the reformer, in order to shed new light on the corrective’s meaning and function/s. In particular, four motives for the usage of the „corrective“ will be distinguished; they help to identify those elements and parts of Kierkegaard’s authorship which are obviously supposed to function as a corrective to „the established order.“ The identification of these parts allows for making sense of and for critically evaluating Kierkegaard’s viewpoints, in particular those which appear to be one-sided and/or exaggerated. After all, a corrective is meant to do its job in the service of an existing order, not as its opposition or enemy. Hence, according to Kierkegaard, the task of a corrective is deeply dialectical, both affirmative and critical at the same time. And yet, considering the latter, the historical and cultural context is paramount and as such must not be overlooked; for otherwise a corrective is erroneously taken as an absolute norm—a mistake, which fatally repeats the very flaw that it is supposed to correct.
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