前奏

Pierre-Philippe Fraiture
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引用次数: 0

摘要

这个前奏集中在联合国和联合国教科文组织等国际组织在第二次世界大战后管理政治非殖民化方面所发挥的作用,并设想在欧洲帝国控制的“非自治”和“托管”领土上实现文化解放的基础。在法国,这一时期恰逢试图探索非洲文化并了解其在晚期殖民主义背景下的发展。1948年,马德琳·卢梭和谢赫·安塔·迪奥普编辑了《生活的穆斯林》杂志的一期特刊,题为《1848年废除奴隶制——1948年文化进步的证据》。这本刊物,包括米歇尔·莱里斯和雅克·豪利特的贡献,也包括一些不太知名的人物,如奥利维尔·勒·科诺和比利时文学评论家奥古斯特·维贝肯,研究了文学和艺术领域可能出现的“非洲文艺复兴”(C.A Diop)背后的因素。这里所捍卫的观点抓住了一个时期的情绪,在忠于存在主义和班图哲学的本体论原则之间,正如普莱西德·坦普尔斯所阐述的那样。
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Prelude
This prelude focuses on the role played by international organizations such as the United Nations and UNESCO to manage political decolonization in the immediate post-World War II era and envisage the basis for cultural emancipation in the ‘non-self-governing’ and ‘trust’ territories controlled by European empires. In France, this period coincided with attempts to explore African cultures and understand their development in the context of late colonialism. In 1948, Madeleine Rousseau and Cheikh Anta Diop edited a special issue of Le Musée vivant entitled ‘1848 Abolition de l’esclavage - 1948 Evidence de la culture nègre’. This publication, which included contributions by Michel Leiris and Jacques Howlett but also by lesser known figures such as Olivier Le Corneur and the Belgian literary critic Auguste Verbeken, examined the factors behind a possible ‘African renaissance’ (C.A Diop) in literature and the arts. The views defended here capture the mood of a period torn between an allegiance to existentialism and the ontological tenets of the Bantu philosophy as expounded by Placide Tempels.
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