{"title":"在超现实主义电影诗中重新想象视觉","authors":"Lindsey Richter","doi":"10.1353/mos.2021.0002","DOIUrl":null,"url":null,"abstract":"Abstract:In 1928, artist Man Ray and poet Robert Desnos created the sixteen-minute L'Étoile de mer, an automatic-poem-turned-film noted for its visual experimentation. The cinepoem merges verbal and pictorial ways of seeing to instill in its audience an experience of the haptic, unveiling a new sensory epistemology.","PeriodicalId":44769,"journal":{"name":"Mosaic-An Interdisciplinary Critical Journal","volume":"60 1","pages":"19 - 35"},"PeriodicalIF":0.0000,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Reimagining Vision in the Surrealist Cinepoem L'Étoile de mer\",\"authors\":\"Lindsey Richter\",\"doi\":\"10.1353/mos.2021.0002\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:In 1928, artist Man Ray and poet Robert Desnos created the sixteen-minute L'Étoile de mer, an automatic-poem-turned-film noted for its visual experimentation. The cinepoem merges verbal and pictorial ways of seeing to instill in its audience an experience of the haptic, unveiling a new sensory epistemology.\",\"PeriodicalId\":44769,\"journal\":{\"name\":\"Mosaic-An Interdisciplinary Critical Journal\",\"volume\":\"60 1\",\"pages\":\"19 - 35\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Mosaic-An Interdisciplinary Critical Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/mos.2021.0002\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Mosaic-An Interdisciplinary Critical Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/mos.2021.0002","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
摘要
摘要:1928年，艺术家曼·雷和诗人罗伯特·德斯诺斯创作了一部16分钟的电影《L'Étoile de mer》，这是一部以视觉实验而闻名的自动诗歌电影。电影诗歌融合了语言和图像的观看方式，向观众灌输一种触觉体验，揭示了一种新的感官认识论。
Reimagining Vision in the Surrealist Cinepoem L'Étoile de mer
Abstract:In 1928, artist Man Ray and poet Robert Desnos created the sixteen-minute L'Étoile de mer, an automatic-poem-turned-film noted for its visual experimentation. The cinepoem merges verbal and pictorial ways of seeing to instill in its audience an experience of the haptic, unveiling a new sensory epistemology.
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