获奖的研究生短文。作为行动研究的剧作家工作坊:个案研究

IF 0.5 4区 教育学 Q4 EDUCATION & EDUCATIONAL RESEARCH Ride-The Journal of Applied Theatre and Performance Pub Date : 1999-09-01 DOI:10.1080/1356978990040207
M. Heaney
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引用次数: 0

摘要

这位剧作家的研究过程很少被记录下来。对一些人来说,作家的写作过程是一件孤独的事情。对其他人来说,尤其是那些受到英国皇家宫廷剧院(Royal Court Theatre)等新写作中心鼓励的剧院,与艺术总监和演员的更大合作是新作品发展的一个持续特征。尽管20世纪90年代末英国新写作人才崛起,但在戏剧教育中,新写作的地位尚未从戏剧教育公司的衰落中恢复过来。剧院为取代TIE工作而开办的教育课程,往往以主流戏剧作品为基础。很少有戏剧公司专门为年轻观众制作委托剧目。为年轻观众提供新剧的一个丰富来源——设计作品——几乎消失了。科拉·威廉姆斯(Cora Williams)所概述的合作过程,即演员和教师通过清晰的灵感、格式塔、抄写和排练阶段进行设计,这是昂贵的,而且从来没有人……
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The winning postgraduate short article. The playwright's workshop as action research : a case study
Abstract The playwright's process of research is seldom documented. For some, the writer's process is a solitary affair. For others, particularly those encouraged by centres for new writing such as the UK's Royal Court Theatre, greater collaboration with artistic directors and actors is a constant feature in the development of new work. Despite the rise of new British writing talent in the late 1990s, in theatre education the status of new writing has yet to recover from the decline of Theatre in Education (TIE) companies. Education programmes run by theatres to replace TIE work often use mainstream theatre productions as a basis for work. Very few theatre companies exist that commission plays specifically for young audiences. One fertile source of new plays for young audiences, devised work, has all but disappeared. The collaborative process outlined by Cora Williams, of actor/teachers devising through clear stages of inspiration, Gestalt, transcription then rehearsal, is expensive and practised by ever ...
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来源期刊
CiteScore
1.30
自引率
16.70%
发文量
42
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Taking a Larger Slice of the Pie: a response to the article ‘Bears don't need phonics’ An Engaging Assessment in Early Years Drams The winning postgraduate short article. The playwright's workshop as action research : a case study Come Back to the Text, Shirley. A Response to ‘Bears don't need phonics: an examination of the role of drama in laying the foundations for critical thinking in reading’ (RIDE, 4.1) Inhlanzi Ishelwe Amanzi‐As Fish Out of Water: finding authentic voices in a multicultural student production
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