{"title":"书评:《实证多模态研究:方法、评价、启示》","authors":"Alex Christiansen","doi":"10.1177/14703572221099606","DOIUrl":null,"url":null,"abstract":": Multimodality research has always shown a strong reliance on data. However, the field has primarily developed around more exploratory, descriptive, and interpretative work on smaller data sets — as suggested by results we present from a meta-study of contributions to three multimodality-close international journals ( Social Semiotics , Visual Communication , Multimodal Communication ). Framed by a discussion of the qualitative-quantitative dichotomy and a deliberately broad working definition of empirical , we argue that it is not sample size or quantitative methods alone that support a more solid empirical grounding of multimodality research, but rather an explicit orientation to just how theory and analysis make contact with data. To this end, we propose five quality criteria of empirical practice, that is, completing the empirical feedback loop: from theory to data and back, ensuring objectivity, reliability, and validity in research, and acknowledging the inherent tentativeness of results. We thereby seek to chart paths for an appropriate and productive application of various empirical methods to novel (and supposedly familiar) forms of meaning-making in order to further strengthen the development of theory and methods in multimodality, and to encourage an even more intense exchange among the diverse communities of multimodalists.","PeriodicalId":51671,"journal":{"name":"Visual Communication","volume":"90 1","pages":""},"PeriodicalIF":1.2000,"publicationDate":"2022-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"5","resultStr":"{\"title\":\"Book review: Empirical Multimodality Research: Methods, Evaluations, Implications\",\"authors\":\"Alex Christiansen\",\"doi\":\"10.1177/14703572221099606\",\"DOIUrl\":null,\"url\":null,\"abstract\":\": Multimodality research has always shown a strong reliance on data. However, the field has primarily developed around more exploratory, descriptive, and interpretative work on smaller data sets — as suggested by results we present from a meta-study of contributions to three multimodality-close international journals ( Social Semiotics , Visual Communication , Multimodal Communication ). Framed by a discussion of the qualitative-quantitative dichotomy and a deliberately broad working definition of empirical , we argue that it is not sample size or quantitative methods alone that support a more solid empirical grounding of multimodality research, but rather an explicit orientation to just how theory and analysis make contact with data. To this end, we propose five quality criteria of empirical practice, that is, completing the empirical feedback loop: from theory to data and back, ensuring objectivity, reliability, and validity in research, and acknowledging the inherent tentativeness of results. We thereby seek to chart paths for an appropriate and productive application of various empirical methods to novel (and supposedly familiar) forms of meaning-making in order to further strengthen the development of theory and methods in multimodality, and to encourage an even more intense exchange among the diverse communities of multimodalists.\",\"PeriodicalId\":51671,\"journal\":{\"name\":\"Visual Communication\",\"volume\":\"90 1\",\"pages\":\"\"},\"PeriodicalIF\":1.2000,\"publicationDate\":\"2022-06-21\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"5\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Visual Communication\",\"FirstCategoryId\":\"98\",\"ListUrlMain\":\"https://doi.org/10.1177/14703572221099606\",\"RegionNum\":2,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"COMMUNICATION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Visual Communication","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1177/14703572221099606","RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"COMMUNICATION","Score":null,"Total":0}
Book review: Empirical Multimodality Research: Methods, Evaluations, Implications
: Multimodality research has always shown a strong reliance on data. However, the field has primarily developed around more exploratory, descriptive, and interpretative work on smaller data sets — as suggested by results we present from a meta-study of contributions to three multimodality-close international journals ( Social Semiotics , Visual Communication , Multimodal Communication ). Framed by a discussion of the qualitative-quantitative dichotomy and a deliberately broad working definition of empirical , we argue that it is not sample size or quantitative methods alone that support a more solid empirical grounding of multimodality research, but rather an explicit orientation to just how theory and analysis make contact with data. To this end, we propose five quality criteria of empirical practice, that is, completing the empirical feedback loop: from theory to data and back, ensuring objectivity, reliability, and validity in research, and acknowledging the inherent tentativeness of results. We thereby seek to chart paths for an appropriate and productive application of various empirical methods to novel (and supposedly familiar) forms of meaning-making in order to further strengthen the development of theory and methods in multimodality, and to encourage an even more intense exchange among the diverse communities of multimodalists.
期刊介绍:
Visual Communication provides an international forum for the growing body of work in numerous interrelated disciplines. Its broad coverage includes: still and moving images; graphic design and typography; visual phenomena such as fashion, professional vision, posture and interaction; the built and landscaped environment; the role of the visual in relation to language, music, sound and action.