《汤格洛最后的晚餐》的多学科研究与达芬奇第二米兰画室的归属

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY Conservation Science in Cultural Heritage Pub Date : 2020-01-01 DOI:10.6092/ISSN.1973-9494/12787

Jean-Pierre Isbouts, C. H. Brown

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引用次数: 0

摘要

本文介绍了在比利时Tongerlo修道院对《最后的晚餐》画布进行的为期两年的研究的结果，包括对其来源的详细回顾以及IMEC和IPARC进行的多光谱研究。该研究采用了综合多学科方法，通过科学检验(包括红外反射摄影)增强了传统的鉴赏和文学研究。文章认为，根据现有的证据，《汤格罗最后的晚餐》是在1507年至1509年期间在莱昂纳多的米兰工作室制作的，作为莱昂纳多监督下的一个合作项目，包括莱昂纳多·吉安彼得里诺、安德烈·索拉里奥和马尔科·德奥吉奥诺。此外，红外光谱扫描表明，画中约翰的脸是达·芬奇自己画的。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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A Multidisciplinary Study of the Tongerlo Last Supper and its Attribution to Leonardo Da Vinci’s Second Milanese Studio

This article presents the findings from a two-year study of the Last Supper canvas in the Abbey of Tongerlo, Belgium, including a detailed review of its provenance as well as a multispectral study conducted by IMEC and IPARC. The study used a composite multidisciplinary approach, with traditional connoisseurship and literary research augmented by scientific examination, including IRR (Infrared Reflectography). The article argues that based on the available evidence, the Tongerlo Last Supper was produced in Leonardo’s Milanese workshop between 1507 and 1509, as a collaborative project involving the Leonardeschi Giampietrino, Andrea Solario, and Marco d’Oggiono under Leonardo’s supervision. Furthermore, the infrared spectography scans suggest that the face of John in the painting was painted by Leonardo himself.

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来源期刊

Conservation Science in Cultural Heritage HUMANITIES, MULTIDISCIPLINARY-

CiteScore

0.40

自引率

0.00%

发文量

审稿时长

15 weeks

期刊介绍： Conservation Science in Cultural Heritage is an international peer reviewed journal which continues Quaderni di Scienza della Conservazione. Main topics of publication: • Study of the system: artifact-environment-biota • Historical-artistic knowledge of cultural heritage (i.e. author, art movement, period of realization, techniques, society and cultural characteristics, socio-economic context, commissioning, financing, interested public) • History, diagnosis, restoration, maintenance, conservation, valorization, prevention • Document research • Book, codex, and manuscript production in its historical context • Appropriate methodologies and analytical techniques used for the characterization of historical artifacts and evaluation of the conservation state • Environmental monitoring: assessment of atmospheric pollution and correlated degradation of monuments and historical-artistic sites • Micro and macroclimatic monitoring in confined areas (i.e. museums, libraries, archives, churches, galleries…) • Art diagnostics and evaluation of the authentication of art works • Art market and auction houses • Experiences in cultural heritage conservation • Evaluation of the suitability of products for restoration, conservation, and maintenance of works of art • Information science and cultural heritage: data processing and cataloguing methods • Virtual re-elaboration and use of historical artifacts and environments • Study, valorization and digitalization of archive and library heritage • Environmental context and technical-conservative issues related to historic architecture • Virtual or traditional conservation, cataloguing and processing of photographs • Various other topics including education, safeguard, education, legislation, economics, social aspects, management, marketing, interdisciplinarity, internationalization, etc.