在耶稣电影与梦中揭示基督的临在——论非再现的韵律符号学

J. Merz
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引用次数: 3

摘要

耶稣电影在传教工作中仍然很受欢迎,但很少有人知道它们是如何交流的。在与西非贝宁的观众合作时,我观察到他们看电影是一种具体化的实践,超越了基于意义的交流模式的解释力。对他们来说,电影对耶稣的描绘不是一种形象或代表;而是以一种真实而直接的方式揭示了基督的存在。因此,人们对演员的感觉就好像他是耶稣,有时会在梦中与他们互动。我认为,在试图解释这一点时,目前的人类学理论是不够的。通过将焦点从意义转移到存在,并引入“onton”的概念,我提出了“ontonic符号学”的新方法,该方法解释了人们如何理解世界并与世界互动。这种方法强调需要更多地关注耶稣如何向全球受众显现。
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Revealing Christ’s Presence in Jesus Films and Dreams: Towards Ontonic Semiotics of Non-representation
Jesus films remain popular in missionary work, yet little is known about how they communicate. Working with viewers in Benin, West Africa, I observed that they watch films as an embodied practice that goes beyond the explanatory power of meaning-based communication models. For them, the filmic portrayal of Jesus is not an image or representation; it rather reveals Christ’s presence in a veracious and immediate way. Consequently, people experience the actor as if he were Jesus, who sometimes interacts with them in dreams. I argue that current anthropological theories are inadequate when trying to account for this. By shifting the focus from meaning to presence, and by introducing the notion of the ‘onton,’ I propose the novel approach of ‘ontonic semiotics’ that accounts for how people make sense of, and interact with, the world. This approach highlights the need to give more attention to how Jesus appears to global audiences.
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