小说和短篇小说中的女画家:工匠还是艺术家?

IF 0.1 0 LANGUAGE & LINGUISTICS Acta Universitatis Lodziensis Folia Litteraria Romanica Pub Date : 2018-02-07 DOI:10.18778/1505-9065.13.12
Anna Kaczmarek‐Wiśniewska
{"title":"小说和短篇小说中的女画家:工匠还是艺术家?","authors":"Anna Kaczmarek‐Wiśniewska","doi":"10.18778/1505-9065.13.12","DOIUrl":null,"url":null,"abstract":"“Women Painters in Emile Zola’s Novels and Short Stories: Artisans or Artists?” Summary – Art is considered by Emile Zola as one of the crucial values, as well in his life as in his work. It appears there in many different ways: practical (collecting paintings, friendship with artists) and theoretic (critical writings on art). One of the consequences of the author’s passion for art are literary characters of male and female painters in several novels of his Rougon-Macquart series and some of his short stories. The paper focuses on a few characters of women painters, taking into consideration Zola’s opinion about female creation, its position and its value compared to the work of men. Christine Hallegrain from The Masterpiece, Clotilde Rougon from Doctor Pascal and Mrs Sourdis from an eponymic short story are used to prove that even the most gifted woman is not able to achieve the level of a male performance, as the value of the genuine art consists of the very element of male genius. This is why women painters can never be considered as artists, they are always just artisans.","PeriodicalId":33181,"journal":{"name":"Acta Universitatis Lodziensis Folia Litteraria Romanica","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2018-02-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Les femmes peintres dans les romans et les nouvelles zoliennes : artisanes ou artistes ?\",\"authors\":\"Anna Kaczmarek‐Wiśniewska\",\"doi\":\"10.18778/1505-9065.13.12\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"“Women Painters in Emile Zola’s Novels and Short Stories: Artisans or Artists?” Summary – Art is considered by Emile Zola as one of the crucial values, as well in his life as in his work. It appears there in many different ways: practical (collecting paintings, friendship with artists) and theoretic (critical writings on art). One of the consequences of the author’s passion for art are literary characters of male and female painters in several novels of his Rougon-Macquart series and some of his short stories. The paper focuses on a few characters of women painters, taking into consideration Zola’s opinion about female creation, its position and its value compared to the work of men. Christine Hallegrain from The Masterpiece, Clotilde Rougon from Doctor Pascal and Mrs Sourdis from an eponymic short story are used to prove that even the most gifted woman is not able to achieve the level of a male performance, as the value of the genuine art consists of the very element of male genius. This is why women painters can never be considered as artists, they are always just artisans.\",\"PeriodicalId\":33181,\"journal\":{\"name\":\"Acta Universitatis Lodziensis Folia Litteraria Romanica\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2018-02-07\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Acta Universitatis Lodziensis Folia Litteraria Romanica\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.18778/1505-9065.13.12\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LANGUAGE & LINGUISTICS\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Acta Universitatis Lodziensis Folia Litteraria Romanica","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.18778/1505-9065.13.12","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LANGUAGE & LINGUISTICS","Score":null,"Total":0}
引用次数: 0

摘要

左拉小说和短篇小说中的女画家:工匠还是艺术家?艺术被埃米尔·左拉认为是一个至关重要的价值观,无论是在他的生活中还是在他的工作中。它以许多不同的方式出现在那里:实用的(收藏绘画,与艺术家的友谊)和理论的(艺术评论文章)。作者对艺术的热爱的结果之一是他的几部小说和一些短篇小说中的男性和女性画家的文学角色。本文着重分析了女性画家的几个特点,并结合左拉对女性创作的看法、女性创作相对于男性作品的地位和价值。《杰作》中的克莉丝汀·哈勒格兰、《帕斯卡医生》中的克洛蒂尔德·鲁贡以及同名短篇小说中的苏迪斯夫人都被用来证明,即使是最有天赋的女性也无法达到男性表演的水平,因为真正的艺术的价值正是由男性天才的元素构成的。这就是为什么女画家永远不能被认为是艺术家,她们永远只是工匠。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
Les femmes peintres dans les romans et les nouvelles zoliennes : artisanes ou artistes ?
“Women Painters in Emile Zola’s Novels and Short Stories: Artisans or Artists?” Summary – Art is considered by Emile Zola as one of the crucial values, as well in his life as in his work. It appears there in many different ways: practical (collecting paintings, friendship with artists) and theoretic (critical writings on art). One of the consequences of the author’s passion for art are literary characters of male and female painters in several novels of his Rougon-Macquart series and some of his short stories. The paper focuses on a few characters of women painters, taking into consideration Zola’s opinion about female creation, its position and its value compared to the work of men. Christine Hallegrain from The Masterpiece, Clotilde Rougon from Doctor Pascal and Mrs Sourdis from an eponymic short story are used to prove that even the most gifted woman is not able to achieve the level of a male performance, as the value of the genuine art consists of the very element of male genius. This is why women painters can never be considered as artists, they are always just artisans.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
20
审稿时长
18 weeks
期刊最新文献
La formule "je t’aime" et ses fonctions pragmatiques Katarzyna Kowalik, „La realtà dell’Italia post-unitaria nelle opere di Alfredo Oriani. L’analisi storicoletteraria del caso della ricezione di un autore preteso dal regime politico”, Wydawnictwo Uniwersytetu Łódzkiego, Łódź, 2022 Le fantastique de Maurice Sandoz : Le cas du "Labyrinthe" L’atelier des émotions en maternelle: De la verbalisation à l’invention lexicale Marcella Leopizzi, Olivier Roux (éds), Charles Sorel, "L’Ingratitude punie. Histoire cyprienne où l’on voit les aventures d’Orphize", Classiques Garnier, Paris, 2022, 658 p.
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1