作为隐喻的个人对象:艺术教育实践者的实践哲学与关联

Justine Nabaggala
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引用次数: 0

摘要

作为一种创造性的教学方法,使用隐喻性的对象展开了多种前景,以使一个人的艺术实践取向具有意义。通过即兴创作、讲故事和视觉展示,从业者在接触物质世界及其与物质世界的联系时,从专业经验中获得了新的视角。这篇文章表达了文本和图像在意义创造过程中的关系,通过这种关系,视觉艺术家可以表达出多种意义,这些意义聚集在一起,说出他们的“真相”是什么;因此,它在上下文中是主观的。将实践与教学、视觉联系和内心想法联系起来,通过一个关键的过程来培养一个人的职业身份和学术立场。20位艺术实践者和教育工作者通过一个对话圈,利用有形和无形的物体来定义他们的实践哲学。这种以艺术为基础的方法为小组提供了一个机会,个人分享与他们选择圆形方向内的隐喻对象相关的专业经验。个体的反思、表达和关系的建立得以实现,在此过程中,手、钥匙、铅笔、钥匙架、书、盾牌、环境、文化、瓶子、香水瓶、电话、锅、橡胶、气球和笔记本电脑被用作隐喻对象。这创造了创造力和想象力之间的独特联系,通过人文主义取向,参与者的内心声音被视觉表达出来。“艺术的目的是什么?”这在意义形成中很重要,是通过参与者的声音表达出来的,这使得隐喻对象在特定的语境中具有相关性。引用一句个人名言“我要么用笔表达我的想法,要么不这样做,没有自我价值”,这表明一个人的声音要被特定的听众听到,就需要以所有可能的方式分享它。因此,参与者在谈话圈中的参与揭示了通过口头和视觉表达来授权从业者在给定语境中验证他们的自我价值的相关性,作为建立意义的学术和实践策略。
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Personal objects as metaphors: Practitioners’ philosophies of practice and relevance in art education
Working with metaphorical objects as a creative didactic approach unfolds multiple prospects for making meaning of one’s orientation towards artistic practice. Through improvisation, storytelling and visual displays, new perspectives are derived from the professional experiences encountered by practitioners as they engage with the material world and their connections to it. This article expresses the relationship between text and image in meaning-making processes through which visual artists are supported to articulate multiple significances that come together to speak to what their ‘truth’ is; thus, it being subjective in context. Connecting practice to pedagogy, visual connections and inner thoughts are nurtured through a critical process to frame one’s professional identity and scholarly standpoint. A group of twenty art practitioners and educators engaged in a process of defining their philosophies of practice using both tangible and intangible objects through a talking circle. This arts-based approach provided the group with an opportunity to individually share professional experiences linked to their choice of metaphoric objects within a circular orientation. Individual reflection, expression and relationship building were realized and in so doing, a hand, key(s), pencil, key holder, book, shield, environment, culture, bottle, perfume bottle, phone, pot, rubber, balloon and laptop were used as metaphorical objects. This created a unique connection between creativity and imagination through a humanistic orientation in which participants’ inner voices were visually expressed. The notion of ‘Art for what Purpose?’ that is significant in meaning-making was expressed in the voices of the participants making the metaphorical objects relevant within that particular context. With reference to a personal quote ‘I either use a pen to voice my thoughts or fail to do so and have no self-worth’ demonstrates that for one’s voice to be heard by a given audience, there is need to share it in all possible ways. Therefore, participants’ engagement in the talking circle revealed the relevance of empowering practitioners through both oral and visual expressions to validate their self-worth within given contexts as both an academic and practice strategy in establishing meaning.
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来源期刊
CiteScore
1.50
自引率
0.00%
发文量
9
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