{"title":"7电影理论","authors":"Gary Bettinson","doi":"10.1093/ywcct/mbaa007","DOIUrl":null,"url":null,"abstract":"\n Six exemplary works of film theory, published in 2018–19, receive consideration in this chapter: Johannes Riis and Aaron Taylor’s anthology Screening Characters: Theories of Character in Film, Television, and Interactive Media; Murray Pomerance’s Virtuoso: Film Performance and the Actor’s Magic; Jonathan Kirshner and Jon Lewis’s edited collection When the Movies Mattered: The New Hollywood Revisited; Jeff Menne’s Post-Fordist Cinema: Hollywood Auteurs and the Corporate Counterculture; Wieland Schwanebeck and Douglas McFarland’s edited volume Patricia Highsmith on Screen; and Clara Bradbury-Rance’s Lesbian Cinema after Queer Theory. The chapter is organized into three sections: 1. Character Engagement and Performance; 2. Revisiting the New Hollywood; 3. A Highsmith Hinge.","PeriodicalId":35040,"journal":{"name":"Year''s Work in Critical and Cultural Theory","volume":"75 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2020-06-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"7Film Theory\",\"authors\":\"Gary Bettinson\",\"doi\":\"10.1093/ywcct/mbaa007\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n Six exemplary works of film theory, published in 2018–19, receive consideration in this chapter: Johannes Riis and Aaron Taylor’s anthology Screening Characters: Theories of Character in Film, Television, and Interactive Media; Murray Pomerance’s Virtuoso: Film Performance and the Actor’s Magic; Jonathan Kirshner and Jon Lewis’s edited collection When the Movies Mattered: The New Hollywood Revisited; Jeff Menne’s Post-Fordist Cinema: Hollywood Auteurs and the Corporate Counterculture; Wieland Schwanebeck and Douglas McFarland’s edited volume Patricia Highsmith on Screen; and Clara Bradbury-Rance’s Lesbian Cinema after Queer Theory. The chapter is organized into three sections: 1. Character Engagement and Performance; 2. Revisiting the New Hollywood; 3. A Highsmith Hinge.\",\"PeriodicalId\":35040,\"journal\":{\"name\":\"Year''s Work in Critical and Cultural Theory\",\"volume\":\"75 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-06-05\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Year''s Work in Critical and Cultural Theory\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/ywcct/mbaa007\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Year''s Work in Critical and Cultural Theory","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/ywcct/mbaa007","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
Six exemplary works of film theory, published in 2018–19, receive consideration in this chapter: Johannes Riis and Aaron Taylor’s anthology Screening Characters: Theories of Character in Film, Television, and Interactive Media; Murray Pomerance’s Virtuoso: Film Performance and the Actor’s Magic; Jonathan Kirshner and Jon Lewis’s edited collection When the Movies Mattered: The New Hollywood Revisited; Jeff Menne’s Post-Fordist Cinema: Hollywood Auteurs and the Corporate Counterculture; Wieland Schwanebeck and Douglas McFarland’s edited volume Patricia Highsmith on Screen; and Clara Bradbury-Rance’s Lesbian Cinema after Queer Theory. The chapter is organized into three sections: 1. Character Engagement and Performance; 2. Revisiting the New Hollywood; 3. A Highsmith Hinge.