现代中国的情书与隐私:鲁迅与徐广平的私生活

OUP Catalogue Pub Date : 2002-01-01 DOI:10.2307/25066731
B. Mcdougall
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引用次数: 4

摘要

这本书在中国现代文学史上开辟了三个新话题:鲁迅和徐广平夫妇的亲密生活;中国现代文学中的真实与想象的情书;以及中国的隐私概念。中国现代最伟大的作家和他以前的学生之间的丑闻在1925年至1929年间的信件中被揭露。1933年,这些信件以经过大量编辑的版本出版,部分原因是为了从当时文学夫妇出版私人信件的趋势中获利,但另一个原因是为了控制他们的爱情故事,使其远离流言蜚语者。第一部分的传记以未经编辑的信件为基础,揭示了迄今为止被忽视的信息,如徐广平早期的女同性恋倾向;她的性别反转游戏和鲁迅的自愿参与;徐广平早期两次自杀未遂;鲁迅试图淡化徐广平的政治激进主义,用自己的战斗精神给读者留下深刻印象。第二部分展示了鲁迅如何选择在当前中国书信体小说和作者发表的情书的背景下出版他们的编辑信件。第三部分通过对未编辑和编辑信件的比较,为现代中国隐私的性质提供了独特的证据。文字证据显示了他们关于婚外情、身体和家庭生活的私密秘密;他们害怕流言蜚语;他们渴望隐居的生活在一起;以及他们对公共服务与私人或自私利益之间的传统冲突的矛盾态度。尽管有时有人认为中国文化缺乏隐私意识,但本研究揭示了20世纪初隐私的内容、功能和价值。
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Love-letters and privacy in modern China : the intimate lives of Lu Xun and Xu Guangping
This book opens up three new topics in modern Chinese literary history: the intimate lives of Lu Xun and Xu Guangping as a couple; real and imagined love-letters in modern Chinese literature; and concepts of privacy in China. The scandalous affair between modern China's greatest writer and his former student is revealed in their letters to each other between 1925 and 1929. Publication of the letters in a heavily edited version in 1933 was intended partly to profit from a current trend for literary couples to publish their private letters, but another reason was to assert control over their love story, taking it away from the gossip-mongers. The biographies in Part I, based on the unedited letters, reveal such hitherto neglected information as Xu Guangping's early tendencies towards lesbianism; her gender reversal games and Lu Xun's willing participation in them; Xu Guangping's two early attempts at suicide; and Lu Xun's attempts to play down Xu Guangping's political activism and to impress readers with his own militancy. Part II shows how Lu Xun chose to publish their edited letters in the context of current Chinese epistolary fiction and love-letters published by their authors. Part III provides unique evidence on the nature of privacy in modern China through a comparison between the unedited and edited correspondence. Textual evidence shows their intimate secrets about their affairs, their bodies, and their domestic lives; their fear of gossip; their longing for a secluded life together; and their ambivalent attitudes towards the traditional conflict between public service and private or selfish interests. Although it has sometimes been claimed that Chinese culture lacks a sense of privacy, this study reveals the contents, functions, and values of privacy in the early twentieth century.
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