{"title":"克服女人的问题","authors":"Fiona Handyside","doi":"10.7227/FS.22.0007","DOIUrl":null,"url":null,"abstract":"In this interview with Mia Bays (Birds’ Eye View), we discuss the recent Reclaim The Frame project, a UK-wide touring programme that showcases female-directed or -scripted films, usually new or recent releases. The interview explores the idea that this kind of curation is a necessary feminist intervention in the contemporary British cinema circuit, one that offers audiences agency and acknowledges that initiatives in film production alone are not sufficient to shift structural inequalities in the film industry. The piece begins with some contextual detail before turning to my discussion with Bays.","PeriodicalId":41237,"journal":{"name":"Film Studies","volume":"72 1","pages":"98-111"},"PeriodicalIF":0.0000,"publicationDate":"2021-05-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Getting Over the Woman Problem\",\"authors\":\"Fiona Handyside\",\"doi\":\"10.7227/FS.22.0007\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In this interview with Mia Bays (Birds’ Eye View), we discuss the recent Reclaim The Frame project, a UK-wide touring programme that showcases female-directed or -scripted films, usually new or recent releases. The interview explores the idea that this kind of curation is a necessary feminist intervention in the contemporary British cinema circuit, one that offers audiences agency and acknowledges that initiatives in film production alone are not sufficient to shift structural inequalities in the film industry. The piece begins with some contextual detail before turning to my discussion with Bays.\",\"PeriodicalId\":41237,\"journal\":{\"name\":\"Film Studies\",\"volume\":\"72 1\",\"pages\":\"98-111\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-05-10\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Film Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.7227/FS.22.0007\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Film Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7227/FS.22.0007","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
在对Mia Bays (Birds’Eye View)的采访中,我们讨论了最近的Reclaim the Frame项目,这是一个英国范围内的巡回节目,展示女性导演或编剧的电影,通常是新的或最近发布的。采访探讨了这样一种观点,即这种策展是当代英国电影圈中必要的女权主义干预,它为观众提供了代理,并承认仅靠电影制作的主动性不足以改变电影行业的结构性不平等。这篇文章从一些背景细节开始,然后转向我与贝斯的讨论。
In this interview with Mia Bays (Birds’ Eye View), we discuss the recent Reclaim The Frame project, a UK-wide touring programme that showcases female-directed or -scripted films, usually new or recent releases. The interview explores the idea that this kind of curation is a necessary feminist intervention in the contemporary British cinema circuit, one that offers audiences agency and acknowledges that initiatives in film production alone are not sufficient to shift structural inequalities in the film industry. The piece begins with some contextual detail before turning to my discussion with Bays.