Hestnes ferreira为阿姆斯特丹市政厅设计的竞赛方案——与Louis kahn进行了连续性分析

IF 0.6 0 ARCHITECTURE Journal of Architecture and Urbanism Pub Date : 2020-10-13 DOI:10.3846/jau.2020.12713
Alexandra Saraiva
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引用次数: 1

摘要

在20世纪60年代末,现代主义运动的结束和后现代主义的最终实现带来了一个过渡时期,充分和多样化的解释与新的理性重叠,并建立了新的问题化建筑方式。1967年,阿姆斯特丹市为其新市政厅组织了一场国际竞赛。在葡萄牙独裁统治时期,这场竞赛对应了葡萄牙建筑师国际化的关键时刻。分析只关注建筑师Hestnes Ferreira的建议,他曾与Louis Kahn一起学习和工作。对该项目进行的分析突出了两位建筑师之间的正式联系:对机构概念的解释;大的中央空间和入口;层次:空间的顺序或层次;服务空间,仆人空间;物质性;自然光线;最后,纪念性。本文的目的是展示Hestnes Ferreira的建议是如何与Louis Kahn保持一致的。本文是正在进行的博士后研究(2015 - 2021)的一部分。
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HESTNES FERREIRA’S PROPOSAL FOR AMSTERDAM CITY HALL COMPETITION − ANALYZED IN CONTINUITY WITH LOUIS KAHN
The end of the modern movement and the definitive realization of postmodernism installed a period of transition, full and diverse interpretations that overlap with new rationalities and build new ways of problematizing architecture, in the late 1960s. In 1967, the municipality of Amsterdam organized an international competition for its new City Hall. This competition corresponds to a critical moment for the internationalization of Portuguese architects during the period of the Portuguese dictatorship. The analysis focuses only on the proposal of the architect Hestnes Ferreira, who studied and worked with Louis Kahn. The analysis carried out on the project highlights the formal links between the two architects: the interpretation of the concept of Institution; the large central space and the entrance; the order or hierarchy of spaces; served spaces, servant spaces; materiality; natural light; and, finally, monumentality. The objective of this article is to show how Hestnes Ferreira’s proposal projects in continuity with Louis Kahn. This article is part of the ongoing Postdoctoral research (2015−2021).
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来源期刊
CiteScore
1.30
自引率
14.30%
发文量
12
审稿时长
15 weeks
期刊介绍: The Journal of Architecture and Urbanism publishes original research on all aspects of urban architecture.
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