调查音乐与舞蹈的关系

IF 0.7 1区 艺术学 0 MUSIC JOURNAL OF MUSIC THEORY Pub Date : 2021-04-01 DOI:10.1215/00222909-9124714
Mari Romarheim Haugen
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引用次数: 4

摘要

本文研究了挪威telespringar的节奏,这是一种音乐与舞蹈之间有着密切关系的传统,其特点是非等时节拍;也就是说,相邻拍之间的持续时间是不相等的。一项针对小提琴手和舞者的动作捕捉研究显示,小提琴手和舞者的周期性动作在节拍水平上都有一种长-中-短持续时间的模式。研究结果还揭示了小提琴手和舞者执行动作模式之间的对应关系。这种对应表明表演者对音乐的潜在“感觉”有着共同的理解。结果讨论了最近的理论观点对人类感知的多模态。有人认为,telespringar的特殊感觉源于与舞蹈有关的具体感觉,以及音乐和舞蹈如何随着时间的推移而发展。该研究提倡对音乐和舞蹈的整体看法,内部经验的重要性,以及体现经验在指导我们理解音乐方面的作用。
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Investigating Music-Dance Relationships
This article studies the rhythm of Norwegian telespringar, a tradition with an intimate relationship between music and dance that features a nonisochronous meter; that is, the durations between adjacent beats are unequal. A motion-capture study of a fiddler and dance couple revealed a long-medium-short duration pattern at the beat level in both the fiddler's and the dancers' periodic movements. The results also revealed a correspondence between how the fiddler and the dancers executed the motion patterns. This correspondence suggests that the performers share a common understanding of the underlying “feel” of the music. The results are discussed in light of recent theoretical perspectives on the multimodality of human perception. It is argued that the special feel of telespringar derives from embodied sensations related to the dance and how music and dance have developed in tandem over time. The study advocates a holistic view of music and dance, the importance of insider experience, and the role of embodied experience in guiding our understanding of the music as such.
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来源期刊
CiteScore
1.40
自引率
0.00%
发文量
12
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