Walter Pater的Anders-Streben:理论和实践

IF 0.1 4区文学 0 LITERATURE, BRITISH ISLES CAHIERS VICTORIENS & EDOUARDIENS Pub Date : 2008-01-01 DOI:10.4000/cve.7791

Margaux Poueymirou

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引用次数: 1

摘要

在沃尔特·佩特的开创性论文《乔尔乔内学派》(1877)中，他第一次也是唯一一次提出了一种关于艺术和审美经验的理论，该理论有自己的标题、观察和用途，与其说是模仿音乐，不如说是模仿音乐的隐喻。在这篇文章中，我研究了佩特的“Anders-streben”理论与联觉概念的关系，并作为理解“审美批评”的角色、功能和修辞风格的背景。因为这是帕特的艺术，因此，当然不能免除他在“乔尔乔内”中制定的范式。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Walter Pater's Anders-Streben : as theory and as practice

In Walter Pater's seminal essay "The School of Giorgione" (1877), he formulated for the first and only time, a theory of art and aesthetic experience complete with its own title, observation and uses and which was modelled less on music than on its metaphor. In this article, I examine Pater's theory of "Anders-streben" in relation to the concept of synaesthesia and as a context for understanding the role, function and rhetorical style of "aesthetic criticism." For this was Pater's art and thus, certainly not exempt from the paradigm he formulated in "Giorgione."

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来源期刊

CAHIERS VICTORIENS & EDOUARDIENS LITERATURE, BRITISH ISLES-

CiteScore

0.10

自引率

0.00%

发文量

审稿时长

24 weeks

期刊介绍： Les Cahiers victoriens et édouardiens publient depuis 1974 deux numéros par an, l’un sur des sujets et écrivains variés, l’autre consacré à un auteur ou à un thème. Les Cahiers s’intéressent non seulement à la littérature, mais aussi à tous les aspects de la civilisation de l’époque, et accueillent des méthodes critiques variées. Ils publient aussi des comptes rendus d’ouvrages et des résumés de thèses récemment soutenues sur le sujet. Des articles peuvent être soumis en vue d’une publication éventuelle (règles de présentation du M.L.A. Handbook).