上传至永恒

IF 0.1 3区 艺术学 0 THEATER PAJ-A JOURNAL OF PERFORMANCE AND ART Pub Date : 2023-01-01 DOI:10.1162/pajj_a_00649
E. Pearlman
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引用次数: 0

摘要

Michael van der Aa的《上传》巧妙地呈现了人类无法摆脱的困境,因为它拥抱了人类在可预见的未来可能经历的一连串技术创新——如果我们人类物种能够在气候紧急情况和核毁灭的幽灵中幸存下来的话。这部歌剧关注的是将一个人的意识上传到云端的难题,以及在死后维持数字化重生的复杂性。这种转变引发了一系列令人不安的伦理、道德和心理争议,包括存在主义的核心问题:“生存还是毁灭?”一旦主角,父亲,将他的意识上传到云端——他存在——还是不存在?
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Uploading into Eternity
Michael van der Aa’s Upload adroitly presents humankind’s inextricable woes as it embraces the spate of technological innovations that humanity might experience in the foreseeable future—if we, the human species, survive the climate emergency and the specter of nuclear annihilation. The opera focuses on the conundrum of uploading one’s consciousness to the computing cloud and the complexities of maintaining a digitized rebirth after death. This transformation lassoes a host of troubling ethical, moral, and psychological controversies into the fray, including the core existential question: “to be or not to be?” Once the main character, the Father, uploads his consciousness to the cloud—does he exist—or not exist?
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来源期刊
CiteScore
0.10
自引率
0.00%
发文量
44
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