{"title":"当代道德论","authors":"Sally Blackburn-Daniels","doi":"10.16995/ntn.2931","DOIUrl":null,"url":null,"abstract":"In May 2019 an international cooperative of researchers, performers, and artists staged Vernon Lee’s (Violet Paget, 1856–1935) pacifist drama The Ballet of the Nations: A Present-Day Morality (1915) at her Villa Il Palmerino, Florence. The site-specific performance was adapted from Lee’s text by director Angeliki Papoulia and producer Federica Parretti, with a focus on the text’s resonances with the current resurgence of the nationalist far-right movements and anti-immigrant manifestos. This article considers the genesis of this production, the research informing its adaptation, and the subsequent performance of the piece.","PeriodicalId":90082,"journal":{"name":"19 : interdisciplinary studies in the long nineteenth century","volume":"104 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2020-08-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"A Present-Day Morality for the Present Day\",\"authors\":\"Sally Blackburn-Daniels\",\"doi\":\"10.16995/ntn.2931\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In May 2019 an international cooperative of researchers, performers, and artists staged Vernon Lee’s (Violet Paget, 1856–1935) pacifist drama The Ballet of the Nations: A Present-Day Morality (1915) at her Villa Il Palmerino, Florence. The site-specific performance was adapted from Lee’s text by director Angeliki Papoulia and producer Federica Parretti, with a focus on the text’s resonances with the current resurgence of the nationalist far-right movements and anti-immigrant manifestos. This article considers the genesis of this production, the research informing its adaptation, and the subsequent performance of the piece.\",\"PeriodicalId\":90082,\"journal\":{\"name\":\"19 : interdisciplinary studies in the long nineteenth century\",\"volume\":\"104 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-08-05\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"19 : interdisciplinary studies in the long nineteenth century\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.16995/ntn.2931\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"19 : interdisciplinary studies in the long nineteenth century","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.16995/ntn.2931","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
In May 2019 an international cooperative of researchers, performers, and artists staged Vernon Lee’s (Violet Paget, 1856–1935) pacifist drama The Ballet of the Nations: A Present-Day Morality (1915) at her Villa Il Palmerino, Florence. The site-specific performance was adapted from Lee’s text by director Angeliki Papoulia and producer Federica Parretti, with a focus on the text’s resonances with the current resurgence of the nationalist far-right movements and anti-immigrant manifestos. This article considers the genesis of this production, the research informing its adaptation, and the subsequent performance of the piece.
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