实践理想主义:现场音乐协会与音乐节现场的振兴

Q2 Arts and Humanities IASPM Journal Pub Date : 2019-10-12 DOI:10.5429/2079-3871(2019)v9i1.4en
Heikki Uimonen
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引用次数: 0

摘要

七十年代,芬兰各地建立了现场音乐协会。他们挑战了活动制作的普遍做法,并成为现场音乐业务的主要参与者。在Seinajoki市,这些协会作为当地音乐文化的一部分得到了稳定,并且自1979年以来,通过举办芬兰最大的摇滚音乐节之一,在转变与流行音乐相关的推广实践方面仍然发挥着至关重要的作用。本文的理论出发点是考虑音乐文化是如何由思想、活动、制度和一般的物质对象组成的,以及如何理解现场音乐活动的发起人与其周围社会之间的关系。它阐明了协会、政治和文化机构之间的共生关系,以及哪些发展有助于协会成为跨区域和具有跨国影响力的文化行动者。
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Practical Idealism: Live Music Associations and the Revitalization of the Music Festival Scene
In the seventies live music associations were established across Finland. They challenged the prevailing practices of event production and became major players in the live music business. In City of Seinajoki the associations were stabilised as part of the local music culture and still play a crucial role in transforming promotional practices related to popular music by running one of the biggest rock festivals in Finland since 1979. The article’s theoretical starting point is to take into account how music culture consists of ideas, activities, institutions and material objects in general and how to understand the relationships between the promoters of live music events and their surrounding societies. It clarifies the symbiotic relationship between associations, the political and cultural institutions and what developments helped associations to become transregionally and transnationally influential cultural actors.
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来源期刊
IASPM Journal
IASPM Journal Arts and Humanities-Music
CiteScore
0.30
自引率
0.00%
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0
审稿时长
30 weeks
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