作为一名电子小提琴手演奏和战斗

Q3 Arts and Humanities Asian-European Music Research Journal Pub Date : 2021-12-09 DOI:10.30819/aemr.8-2
Kirsten Seidlitz
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引用次数: 0

摘要

小提琴是一种用于各种音乐流派的乐器。除了保存、精心制作和评估乐器的古典形式以及古典小提琴曲目外,电子版本的乐器在几十年前就进入了音乐行业。它允许音乐家制作从古典小提琴到电吉他甚至电贝斯的声音。Nora Kudrjawizki(“Angelstrings”,“One Violin Orchestra”)是一位住在柏林的电子小提琴手,她在尽可能多的不同类型和场合使用这种乐器:演奏涅槃乐队的歌曲,或者用小提琴弓作为即兴演奏的剑来战斗,“加勒比海盗”音乐是她表演的一部分。她的作品将作为一个案例研究呈现,并将被设置成一个更大的框架,进一步从文献中产生电小提琴家的陈述。我关注的是在演奏电子乐器和原声乐器时,演奏者和乐器之间关系的差异。我的目的是证明电子小提琴主要是用于公开演奏和打动别人,也有音乐上有趣的方面和个人体验值得重视。
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Playing and Fighting as an Electric Violinist
The violin is an instrument used in various musical genres. Besides preserving, elaborating, and valuating, the classical form of the instrument as well as the classical violin repertory, an electronic version of the instrument has entered the music business many decades ago. It allows the musician to produce sounds ranging from classical violin sounds to electric guitar or even electric bass sounds. Nora Kudrjawizki (‘Angelstrings’, “One Violin Orchestra”) is an electric violinist living in Berlin and using the instrument for as many different genres and occasions as possible: playing Nirvana songs or fighting with the violin bow as an improvised sword to “Pirates of the Caribbean” music as part of her performance. Her work will be presented as a case study and will be set into a bigger framework with further electric violinist statements generated from the literature. I focus on the differences in the instrumentalist–instrument relation when playing electric or acoustic. My aim is to prove that the electric violin is mostly used to play public and impress others and that there are also musically interesting aspects and individual experiences that should be valued.
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来源期刊
Asian-European Music Research Journal
Asian-European Music Research Journal Arts and Humanities-Museology
CiteScore
0.30
自引率
0.00%
发文量
11
审稿时长
15 weeks
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