{"title":"Cadmos和和谐。Jean Dorat, nicolas dell' abate和查理九世和奥地利伊丽莎白进入宴会厅的装饰(巴黎,1571)","authors":"Luisa Capodieci","doi":"10.3406/XVI.2007.919","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":40333,"journal":{"name":"Seizieme Siecle","volume":"157 1","pages":"61-90"},"PeriodicalIF":0.1000,"publicationDate":"2007-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Cadmos et l'harmonie. Jean Dorat, Nicolô dell'Abate et le décor de la salle du banquet pour l'entrée de Charles IX et Elisabeth d'Autriche (Paris, 1571)\",\"authors\":\"Luisa Capodieci\",\"doi\":\"10.3406/XVI.2007.919\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":40333,\"journal\":{\"name\":\"Seizieme Siecle\",\"volume\":\"157 1\",\"pages\":\"61-90\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2007-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Seizieme Siecle\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3406/XVI.2007.919\",\"RegionNum\":4,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MEDIEVAL & RENAISSANCE STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Seizieme Siecle","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3406/XVI.2007.919","RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MEDIEVAL & RENAISSANCE STUDIES","Score":null,"Total":0}
Cadmos et l'harmonie. Jean Dorat, Nicolô dell'Abate et le décor de la salle du banquet pour l'entrée de Charles IX et Elisabeth d'Autriche (Paris, 1571)