音乐课堂中的律动与打击乐

G. Smith
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引用次数: 0

摘要

在这篇文章中,我解释了为什么打击乐和律动是当今许多音乐创作和欣赏的核心,但它们在音乐教学和学习中却被忽视了。一种普遍存在的对音高乐器的偏见使得人们很难认真对待节奏和节奏,尽管这些可能是学校里有意义的音乐创作经验的核心。我提供了一个原始的,灵活的组成,非音调打击,易于遵循的说明和视频演示。这篇文章邀请教师们考虑采用一种引人入胜的、非生物学的方法来制作强调感觉和最佳状态的音乐。
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Groove and Percussion in the Music Classroom
In this article, I explain how percussion and groove are at the core of many musics created and enjoyed today, yet they can be overlooked in music teaching and learning. A pervasive culture of pitched-instrument prejudice makes it difficult to take rhythm and groove seriously, although these can be at the core of meaningful music-making experiences in schools. I provide an original, flexible composition for nonpitched percussion, with easy-to-follow instructions and video demonstration. The article invites teachers to consider embracing an engaging, Afrological approach to making music that emphasizes feel and groove.
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