《尤日克报》上弗伊尔顿的战略和战术(瓦西里·伊万诺夫、娜杰日达·卢赫马诺娃)

E. Zakharova
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引用次数: 0

摘要

本文分析了福伊尔顿语作为一种语言体裁。在研究转型时期文学与新闻互动形式的背景下,对交际任务、语言体现、作者和收件人的形象进行了研究。本文作者以史皮尔卡(瓦西里·伊万诺夫)和娜杰日达·卢赫马诺娃的文章为基础,考察了1900-1905年《尤日克赖报》上的俄军的战略和战术。术语“feuilleton”至少包含两种含义:(1)带有艺术和新闻文本的标题;(2)文本的体裁共性。社会文化环境和革命前讽刺潮流的自然复兴决定了这一类型。文章指出,在文本的统一特点中,以时事为中心,文风轻快活泼,文本的艺术性与新闻性相结合,写作的随意性和自发性。到1905年,社会和政治问题以及相关性和话题性原则开始占据主导地位。feuilleton的社会性增长可以用以下几个因素来解释:作为该类型的基本特征的影响,以及报纸文本本身的格式,其中与订户进行持续对话,这提供了影响力,并加强了与读者利益互动的作用。人们不能不注意到时间的因素,特别是在革命之前,当时社会成员之间的观点两极分化加剧,新闻和宣传策略被更多地使用,包括通过报纸材料。在弗伊尔顿研究的空间中,文学艺术特征与新闻思想相结合。对于什皮尔卡的文本,最合适的定义是:福伊尔顿是一种艺术和新闻体裁,其中通过使用寓言技巧的主题的反向联想发展,揭示了消极现象和现实情况的喜剧本质。卢赫马诺娃的文本在形式和方向上都倾向于中篇小说。它们的特点是自白性、叙事性、描述性和细节性。因此,在比较这两位富尔顿主义者的作品时,更恰当的说法是富尔顿的变种。两位作者的作品都通向了新闻与文学的交汇,这与新闻文学的原始边界相对应。在他们的费尔顿研究空间中,文学和艺术特征与新闻思想相结合。
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Strategies and tactics of feuilleton in the newspaper Yuzhny kray (Vasily Ivanov, Nadezhda Lukhmanova)
The article analyses the feuilleton as a speech genre. The communicative tasks, linguistic embodiment, images of the author and the addressee in the context of studying the forms of interaction between literature and journalism in transitional epochs are investigated. Based on the texts of Shpilka (Vasily Ivanov) and Nadezhda Lukhmanova, the author of the article examines the strategies and tactics of the feuilleton in the newspaper Yuzhny kray for 1900–1905. The term “feuilleton” contains at least two meanings: (1) a heading with artistic and journalistic texts; (2) genre commonality of texts. The determination of the genre by socio-cultural circumstances and the natural revival of the satirical trend for the pre-revolutionary time are substantiated. Among the features uniting the texts, the article notes the concentration on current events, the lightness and liveliness of the style, the combination of artistic and journalistic properties in the texts, the ease and spontaneity of the composition. Social and political issues, as well as the principles of relevance and topicality, began to dominate by 1905. The growth of sociality in the feuilleton can be explained by a number of factors: impact as a fundamental feature of the genre, as well as the format of the newspaper text itself, where an ongoing dialogue with subscribers is conducted, which provides influence and enhances the role of interaction with the interests of readers. One cannot fail to note the factor of time, especially before the revolution, when the polarity in views among members of society increased, and journalism and propaganda strategies were used more, including through newspaper materials. In the space of feuilleton studies, literary and artistic features and journalistic ideas are combined. For Shpilka’s texts, the most appropriate definition would be the following: the feuilleton is an artistic and journalistic genre in which the comic essence of negative phenomena and situations of reality is revealed through the inverse, associative development of a theme using allegory techniques. Lukhmanova’s texts in form and direction gravitate towards the novella. They are characterized by confession, narrative essay, descriptiveness and detail. Thus, when comparing the works of the two feuilletonists, it is more appropriate to speak of the varieties of the feuilleton. The works of both authors lead to the intersection of journalism and literature, which corresponds to the original borderline of the genre. In the space of their feuilleton studies, literary and artistic features and journalistic ideas are combined.
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期刊介绍: Tomsk State University Journal of Philology was established with the aim of: - publishing the papers and reviews on the topical issues of modern philology: linguistics, literary studies, communication studies; - promoting the development of theoretical and practical research in the field of socio-humanitarian knowledge; - forging links among scholars from different regions of Russia and other countries. Tomsk State University Journal of Philology is an independent research journal that welcomes submissions from across the world.
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