政治争议中的恶作剧

Q2 Social Sciences Contention Pub Date : 2019-06-01 DOI:10.3167/CONT.2019.070107
Ben J Hightower, Scott East, Simon Hunt
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引用次数: 0

摘要

学术出版物和激进分子的知识之间经常存在分歧——莎拉·麦迪森(Sarah Maddison)和肖恩·斯卡尔默(Sean Scalmer)(2005)建议,通过认真对待激进分子产生的知识,可以解决这一问题。在这次采访中,西蒙·亨特回顾了波琳·潘斯道(Pauline Pantsdown)的起源,这是他在20世纪90年代末创造的一个男扮女装形象,以回应澳大利亚保守党政治家波琳·汉森(Pauline Hanson),后者因其种族主义和分裂的观点而引发争议。引言简要地考虑了激进主义账户的重要性,并将亨特的实践与艺术激进主义和网络社会联系起来。从那里,亨特讨论了一系列关于行动主义的重要考虑,特别是使用人物角色作为行动主义手段的重要性,使用社交媒体的优势和挑战,以及在不断变化的媒体环境中激活参与的方法。
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Pranks in Contentious Politics
There is often a division between scholarly publication and activist knowledge—something that Sarah Maddison and Sean Scalmer (2005) suggest may be countered by taking the knowledge produced by activists seriously. In this interview, Simon Hunt reflects on the genesis of Pauline Pantsdown, a drag persona that he developed in the late 1990s in reaction to Australian Conservative politician Pauline Hanson, who generated controversy for her racist and divisive views. The introduction briefly considers the importance of activist accounts and contextualizes Hunt’s practice in relation to arts activism and networked societies. From there, Hunt discusses a range of significant considerations for activism, notably the significance of using persona as a means for activism, the affordances and challenges of using social media, and methods for activating participation in a changing media landscape.
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来源期刊
Contention
Contention Social Sciences-Cultural Studies
CiteScore
1.60
自引率
0.00%
发文量
13
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