通过批判性设计实现民主化和预测日常未来:范例回顾

Q1 Arts and Humanities Temes de Disseny Pub Date : 2020-10-01 DOI:10.46467/TDD36.2020.150-177
Lenneke Kuijer
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引用次数: 2

摘要

本文通过分析来自设计小说和投机设计的一系列范例,探讨设计与未来的关系,探讨它们在设计中民主化和预测未来日常生活愿景的潜力。未来的愿景——无论是含蓄的还是明确的——都有自己的实现力量。对于设计来说尤其如此,因为设计产品共同塑造了数百万用户的生活。然而,本文并没有呼吁一个“更好”的未来愿景,而是借鉴了社会科学和未来研究的研究,论证了在设计中多样化和丰富未来日常生活愿景的重要性。关键设计能够很好地实现这一目标,因为它质疑现状,并且对设计师来说具有相关性和可操作性。本文回顾了批判性设计的范例,以探讨其民主化和预测未来日常生活的潜力。为了分析他们参与未来日常生活的方式,这些范例被定位在可能的、可能的和首选的未来锥体模型中。通过这种定位,出现了两种形式的批判性未来参与之间的区别:替代小说和外推小说。另类虚构被明确地定位在一般预期的未来之外,而外推虚构被明确地定位在它们之内。在民主化和预测未来日常生活方面,两者都有各自的优势和局限性。另类小说将演员招募为“未来的人”,并创建场景来描绘未来的环境,但也可以包括在当前环境中的部署,以探索另类的人类与人工制品的关系。另类小说往往伴随着另类设计实践。推断性虚构不包括部署,也很少提出可替代的设计实践,但它们可以在突出主流设计追求中未暴露的风险方面发挥重要作用。批判性设计可以而且应该在民主化和预测未来的日常生活中发挥作用。在这种追求中,另类小说和外推小说可以相互补充。外推小说从内部质疑现状,并利用设计的力量来突出预期未来中未被曝光的方面。另类小说从外部对现状提出质疑,并利用设计的力量创造性地产生不同的物体,这些物体可以用来充实另类的生活方式及其相关环境。我们需要进一步研究如何将批判性小说最好地融入主流设计实践。
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Democratising and Anticipating Everyday Futures Through Critical Design: A Review of Exemplars
This article explores design’s relation with the future by analysing a collection of exemplars from design fiction and speculative design for their potential to democratise and anticipate visions of future everyday life in design. Future visions – both implicit and explicit ones – have a realising power of their own. This is especially true for design, the products of which co-shape the lives of millions of users. Rather than calling for a “better” future vision however, this paper draws on research from the social sciences and futures studies to argue for the importance of diversifying and enriching visions of future everyday life within design. Critical design is well equipped to contribute to this objective because it questions the status quo and is relatable and actionable for designers. The paper reviews exemplars from critical design for their potential to democratise and anticipate future everyday life. To analyse their ways of engaging with future everyday life, the exemplars are positioned in the future cone model of probable, possible and preferred futures. Through this positioning, a distinction emerged between two forms of critical future engagement: alternative fictions and extrapolative fictions. Alternative fictions are explicitly positioned outside of generally expected futures, while extrapolative fictions are explicitly positioned within them. Both have their own strengths and limitations for democratising and anticipating future everyday life. Alternative fictions enrol actors as “future people” and create scenes to depict future contexts, but can also include deployments in present day contexts to explore alternative human-artefact relations. Alternative fictions tend to be accompanied by alternative design practices. Extrapolative fictions do not include deployments and rarely propose alternative design practices, but they can play an important role in highlighting the underexposed risks of mainstream design pursuits. Critical design can and should play a role in democratising and anticipating future everyday life. Alternative and extrapolative fictions can complement each other in this pursuit. Extrapolative fictions question the status quo from within and use the power of design to highlight underexposed aspects of expected futures. Alternative fictions question the status quo from without and use the power of design to creatively generate different objects that can be used to flesh out alternative ways of living and their related context. Further research is needed into how critical fictions are best integrated into mainstream design practices.
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来源期刊
CiteScore
1.00
自引率
0.00%
发文量
8
审稿时长
30 weeks
期刊最新文献
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