{"title":"马克西米利安·德·哈斯为玛丽亚·特蕾莎皇后创作的塞勒斯故事挂毯系列(1771-76)","authors":"K. Brosens","doi":"10.1086/714714","DOIUrl":null,"url":null,"abstract":"The Clothworkers’ Company, London, houses three late eighteenthcentury Brussels tapestries showing the story of Cyrus. The pieces bear the arms of Maria Theresa, Archduchess of Austria and empress of the Holy Roman Empire (1717–80), and the signatures of tapestry producers Jan Frans van der Borcht (d. 1774) and his son Jacob (1735– 94). The scenes are titled The Recognition of Cyrus by Astyages (F.V.D. BORGHT) (fig. 1), The Restoration of the Temple Treasures by Cyrus (F.V.D.BORGHT) (fig. 2), and The Marriage of Mandane to Cambyses (IAC.V.D.BORGHT) (fig. 3). The Clothworkers’ Company acquired","PeriodicalId":43235,"journal":{"name":"SOURCE-NOTES IN THE HISTORY OF ART","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Maximiliaan de Hase’s Story of Cyrus Tapestry Series (1771–76) for Empress Maria Theresa\",\"authors\":\"K. Brosens\",\"doi\":\"10.1086/714714\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The Clothworkers’ Company, London, houses three late eighteenthcentury Brussels tapestries showing the story of Cyrus. The pieces bear the arms of Maria Theresa, Archduchess of Austria and empress of the Holy Roman Empire (1717–80), and the signatures of tapestry producers Jan Frans van der Borcht (d. 1774) and his son Jacob (1735– 94). The scenes are titled The Recognition of Cyrus by Astyages (F.V.D. BORGHT) (fig. 1), The Restoration of the Temple Treasures by Cyrus (F.V.D.BORGHT) (fig. 2), and The Marriage of Mandane to Cambyses (IAC.V.D.BORGHT) (fig. 3). The Clothworkers’ Company acquired\",\"PeriodicalId\":43235,\"journal\":{\"name\":\"SOURCE-NOTES IN THE HISTORY OF ART\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2021-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"SOURCE-NOTES IN THE HISTORY OF ART\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1086/714714\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"SOURCE-NOTES IN THE HISTORY OF ART","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1086/714714","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 0
摘要
伦敦的纺织工人公司收藏着三幅18世纪晚期的布鲁塞尔挂毯，展示了居鲁士的故事。这些挂毯上印有奥地利大公夫人、神圣罗马帝国皇后玛丽亚·特蕾莎(Maria Theresa)的臂章(1717-80年)，以及挂毯生产商扬·弗朗斯·凡·德·博尔希特(Jan Frans van der Borcht, 1774年)和他的儿子雅各布(Jacob, 1735 - 94年)的签名。这些场景被命名为阿斯提阿格斯的《居鲁士的承认》(F.V.D.BORGHT)(图1)，居鲁士的《神庙宝藏的修复》(图2)，以及曼丹与冈比西斯的婚姻(IAC.V.D.BORGHT)(图3)
Maximiliaan de Hase’s Story of Cyrus Tapestry Series (1771–76) for Empress Maria Theresa
The Clothworkers’ Company, London, houses three late eighteenthcentury Brussels tapestries showing the story of Cyrus. The pieces bear the arms of Maria Theresa, Archduchess of Austria and empress of the Holy Roman Empire (1717–80), and the signatures of tapestry producers Jan Frans van der Borcht (d. 1774) and his son Jacob (1735– 94). The scenes are titled The Recognition of Cyrus by Astyages (F.V.D. BORGHT) (fig. 1), The Restoration of the Temple Treasures by Cyrus (F.V.D.BORGHT) (fig. 2), and The Marriage of Mandane to Cambyses (IAC.V.D.BORGHT) (fig. 3). The Clothworkers’ Company acquired
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