{"title":"女性、女权主义和传记","authors":"Anna Caballé Masforroll","doi":"10.5944/signa.vol29.2020.27162","DOIUrl":null,"url":null,"abstract":"Abstract: This article puts forward a reflection about the recent arrival of women in the biographical genre, both from an author’s perspective (as biographer), and as the object of the writing, that is to say as biographed. However, such arrival is to be found in a postfeminist theoretical context where the interest in women’s literature has become displaced as the very category of women has been challenged. How then can one write about the life of women? And from which theoretical perspective?","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"MUJER, FEMINISMO Y BIOGRAFÍA\",\"authors\":\"Anna Caballé Masforroll\",\"doi\":\"10.5944/signa.vol29.2020.27162\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract: This article puts forward a reflection about the recent arrival of women in the biographical genre, both from an author’s perspective (as biographer), and as the object of the writing, that is to say as biographed. However, such arrival is to be found in a postfeminist theoretical context where the interest in women’s literature has become displaced as the very category of women has been challenged. How then can one write about the life of women? And from which theoretical perspective?\",\"PeriodicalId\":54036,\"journal\":{\"name\":\"Signa-Revista de la Asociacion Espanola de Semiotica\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2020-04-08\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Signa-Revista de la Asociacion Espanola de Semiotica\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5944/signa.vol29.2020.27162\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Signa-Revista de la Asociacion Espanola de Semiotica","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5944/signa.vol29.2020.27162","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
Abstract: This article puts forward a reflection about the recent arrival of women in the biographical genre, both from an author’s perspective (as biographer), and as the object of the writing, that is to say as biographed. However, such arrival is to be found in a postfeminist theoretical context where the interest in women’s literature has become displaced as the very category of women has been challenged. How then can one write about the life of women? And from which theoretical perspective?