“被爱不公地折磨”:吉安·乔治·拉斯卡里斯警句中的爱欲作为艺术灵感的源泉

IF 0.2 3区艺术学 0 ART SOURCE-NOTES IN THE HISTORY OF ART Pub Date : 2022-03-01 DOI:10.1086/720927

Diletta Gamberini

{"title":"“被爱不公地折磨”:吉安·乔治·拉斯卡里斯警句中的爱欲作为艺术灵感的源泉","authors":"Diletta Gamberini","doi":"10.1086/720927","DOIUrl":null,"url":null,"abstract":"An artist steeped in the tradition of the classically inspired sculpture that flourished in the Po Valley and the Veneto from the latefifteenth century to the mid-sixteenth century, Gian Giorgio Lascaris (ca. 1458–1531) is now less well known to scholars than Pietro, Antonio, and Tullio Lombardo, Antonio Minello, and Giovan Maria Mosca, the other main exponents of the same artistic current. While Lascaris’s relative obscurity results","PeriodicalId":43235,"journal":{"name":"SOURCE-NOTES IN THE HISTORY OF ART","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"“Unjustly Tormented by Love”: Eros as a Source of Artistic Inspiration in an Epigram for Gian Giorgio Lascaris, Alias Pyrgoteles\",\"authors\":\"Diletta Gamberini\",\"doi\":\"10.1086/720927\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"An artist steeped in the tradition of the classically inspired sculpture that flourished in the Po Valley and the Veneto from the latefifteenth century to the mid-sixteenth century, Gian Giorgio Lascaris (ca. 1458–1531) is now less well known to scholars than Pietro, Antonio, and Tullio Lombardo, Antonio Minello, and Giovan Maria Mosca, the other main exponents of the same artistic current. While Lascaris’s relative obscurity results\",\"PeriodicalId\":43235,\"journal\":{\"name\":\"SOURCE-NOTES IN THE HISTORY OF ART\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2022-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"SOURCE-NOTES IN THE HISTORY OF ART\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1086/720927\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"SOURCE-NOTES IN THE HISTORY OF ART","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1086/720927","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}

引用次数: 0

摘要

吉安·乔治·拉斯卡里斯(Gian Giorgio Lascaris，约1458-1531年)是一名沉浸在15世纪末至16世纪中期波河流域和威尼托繁荣发展的古典雕塑传统中的艺术家，如今在学者们看来，他的知名度不如彼得罗、安东尼奥、图利奥·隆巴多、安东尼奥·米内洛和乔文·玛丽亚·莫斯卡，后者是同一艺术潮流的其他主要代表人物。而拉斯卡瑞斯相对模糊的结果是

本文章由计算机程序翻译，如有差异，请以英文原文为准。

查看原文

微信好友朋友圈 QQ好友复制链接

本刊更多论文

“Unjustly Tormented by Love”: Eros as a Source of Artistic Inspiration in an Epigram for Gian Giorgio Lascaris, Alias Pyrgoteles

An artist steeped in the tradition of the classically inspired sculpture that flourished in the Po Valley and the Veneto from the latefifteenth century to the mid-sixteenth century, Gian Giorgio Lascaris (ca. 1458–1531) is now less well known to scholars than Pietro, Antonio, and Tullio Lombardo, Antonio Minello, and Giovan Maria Mosca, the other main exponents of the same artistic current. While Lascaris’s relative obscurity results

求助全文

通过发布文献求助，成功后即可免费获取论文全文。去求助

来源期刊