符号学意识形态的冲突:《查理周刊》争议与印尼穆斯林的回应

Fokus Pub Date : 2022-07-05 DOI:10.30983/fuaduna.v6i1.5464
Karunia Haganta, Firas Arrasy
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引用次数: 0

摘要

《查理周刊》(Charlie Hebdo)漫画先知穆罕默德(Prophet Muhammad)引发的争议引发了包括印尼在内的世界各地穆斯林社区的抗议。针对这种宗教骚扰,采取了各种步骤,包括抵制法国产品和批评世俗主义,这一直是法国的宪法原则。这篇文章旨在通过回顾这个问题开始的地方,先知穆罕默德的漫画,提供另一种观点来看待这个争议。这项研究发现,漫画不仅是无生命的物体,而且还具有能动性。为了能够在空间和时间的特殊性中看到这种代理,我们依靠符号学意识形态作为理论框架。符号学意识形态是一种对符号的假设,它看到了符号的各种可能性,包括它们的物质性。《查理周刊》争议是一种由空间和时间的特殊性所形成的符号学意识形态的冲突,并表现在面对《查理周刊》争议时所表现出的反应上。在印尼,这种符号化的意识形态产生于政治两极分化、宗教复兴和保守转向。我们看到,对圣像和物质性的分析仍然没有真正在印尼的宗教研究和伊斯兰研究中占据任何重要的部分,包括对《查理周刊》争议的研究。
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Conflict of Semiotic Ideologies: Charlie Hebdo Controversy and Indonesian Muslims' Responses
The controversy of the Prophet Muhammad's caricature in Charlie Hebdo magazine resulted in Muslim communities’ protests from various parts of the world, including Indonesia. In response to this religious harassment, various steps were taken, including boycotting French products and criticizing secularism, which has been the constitutional principle of French. This article aimed at providing another perspective in viewing the controversy by looking back at the point where this problem began, the caricature of the Prophet Muhammad. This study sees that caricatures are not only inanimate objects, but they also have agency. To be able to see this agency in the particularity of space and time, we rely on semiotic ideology as the theoretical framework. Semiotic ideology is an assumption of signs that see various possibilities in signs, including their materiality. The Charlie Hebdo controversy is a clash of semiotic ideologies formed by the particularity of space and time and manifested in the responses shown in the face of the Charlie Hebdo controversy. In Indonesia, this semiotic ideology was born from political polarization, religious resurgence, and conservative turn. We see that the analysis of icon and materiality still have not really taken any significant part of religious studies and Islamic studies in Indonesia, including in studying the Charlie Hebdo controversy.
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