我,我自己,我;

M. Delport, D. Mulder
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引用次数: 0

摘要

数字技术引发了对广播名人的新一轮关注。广播名人凭借其职业,是表演者,而社交媒体为他们提供了一个展示职业和个人身份的舞台。借鉴戈夫曼(1959)的戏剧隐喻,本研究探讨了电台主持人在网上展示个人和职业身份的方式。这项研究源于个人网络身份和网络个人品牌之间的相互作用似乎存在的困难。定性研究是嵌入在一个解释和建构主义范式。数据是通过与南非一家商业广播电台的广播名人面对面访谈收集的,并与主持人社交网络资料的内容分析进行了三角测量。这一发现扩展了现有的学术研究,表明电台人物在网络上表现出不同的配置。该研究通过强调电台名人在社交媒体上的行动应该通过战略营销方法来实现个人和商业目标,从而做出了理论贡献。
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Me, myself, I:
Digital technologies have sparked a renewed focus on radio personalities. Radio personalities are, by virtue of their profession, performers, and social media offers a stage on which to enact their professional and personal identities. Drawing on Goffman’s (1959) theatre metaphor, this study explored the way radio presenters display their personal and professional identities online. This research evolved from the difficulty that seems to exist in the interplay between a personal online identity and an online personal brand. The qualitative study was embedded within an interpretative and constructivist paradigm. Data were collected through face-to-face interviews with radio personalities of a commercial radio station in South Africa and were triangulated with content analysis of the presenters’ social networking profiles. The findings extend existing scholarship by suggesting that radio personalities display differently configured online characters. The study makes a theoretical contribution by highlighting that radio personalities’ actions on social media should be informed by a strategic marketing approach in achieving individual and business goals.
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来源期刊
CiteScore
1.40
自引率
0.00%
发文量
0
审稿时长
25 weeks
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