泗水的折衷装饰艺术:泗水三个住宅的比较(laweyan, baluwarti, kauman)

N. Solikhah, A. Kurnia
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引用次数: 0

摘要

装饰艺术产生于一群人思维方式的改变,他们中的一个人从经济的建立中得到支持。在雅加达,有一些地区受到装饰艺术风格的影响,其中包括:Baluwarti, Laweyan和Kauman。问题是爪哇文化和其他文化元素的吸收和适应,在每个研究对象中产生不同的装饰艺术类型。本研究旨在比较爪哇文化和其他文化元素的吸收和适应,这些文化在泗水的三个不同地区产生了不同的装饰艺术类型。由于不同的背景,各个地区的住宅对装饰艺术风格的吸收和适应是不同的。但共同的主线是吸收了几种风格,即:爪哇,装饰艺术,新艺术,中东和中国,最终创造了折衷的装饰艺术风格。
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ECLECTIC ART DECO IN SURAKARTA: COMPARISON OF THREE RESIDENCES IN SURAKARTA (LAWEYAN, BALUWARTI, KAUMAN)
Art Deco emerged from the change of thinking ways of a group of people who one of them backed from the establishment of the economy. In Surakarta, there are areas that get influence Art Deco style, among others: Baluwarti, Laweyan, and Kauman. The problem is the absorption and adaptation of elements of Javanese culture and other culture that produce different art deco typology in each object of study. This study aims to compare the absorption and adaptation of elements of Javanese culture and other culture that produces different art deco typologies in three different areas in Surakarta.With different backgrounds, the absorption and adaptation of Art Deco style in residential houses in each region is different. But the common thread is the absorption of several styles, namely: Java, Art Deco, Art Nouveau, Middle East, and China which finally created the eclectic Art Deco style.
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