{"title":"现代艺术的“主义”:比利时、荷兰及其他地区","authors":"Michał Wenderski","doi":"10.1080/03096564.2020.1778364","DOIUrl":null,"url":null,"abstract":"ABSTRACT This paper discusses the topic of artistic ‘isms’ in the history and historiography of modern Dutch and Flemish art in a broader European context – such as Constructivism, Neoplasticism, Elementarism, Futurism, Cubism, Expressionism etc. Exemplified by the case of the historical artistic and literary avant-garde from the Low Countries, with its polyphony of overlapping artistic ‘isms’, this paper aims to scrutinize various limitations and imprecisions that result from the use of ‘isms’ in the history and historiography of modern art, exemplified by selected avant-garde formations such as De Stijl, Het Overzicht or 7 Art.","PeriodicalId":41997,"journal":{"name":"Dutch Crossing-Journal of Low Countries Studies","volume":null,"pages":null},"PeriodicalIF":0.4000,"publicationDate":"2020-06-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"3","resultStr":"{\"title\":\"The ‘Isms’ of Modern Art: Belgium, the Netherlands, and Beyond\",\"authors\":\"Michał Wenderski\",\"doi\":\"10.1080/03096564.2020.1778364\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT This paper discusses the topic of artistic ‘isms’ in the history and historiography of modern Dutch and Flemish art in a broader European context – such as Constructivism, Neoplasticism, Elementarism, Futurism, Cubism, Expressionism etc. Exemplified by the case of the historical artistic and literary avant-garde from the Low Countries, with its polyphony of overlapping artistic ‘isms’, this paper aims to scrutinize various limitations and imprecisions that result from the use of ‘isms’ in the history and historiography of modern art, exemplified by selected avant-garde formations such as De Stijl, Het Overzicht or 7 Art.\",\"PeriodicalId\":41997,\"journal\":{\"name\":\"Dutch Crossing-Journal of Low Countries Studies\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2020-06-10\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"3\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Dutch Crossing-Journal of Low Countries Studies\",\"FirstCategoryId\":\"98\",\"ListUrlMain\":\"https://doi.org/10.1080/03096564.2020.1778364\",\"RegionNum\":3,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"HISTORY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Dutch Crossing-Journal of Low Countries Studies","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1080/03096564.2020.1778364","RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"HISTORY","Score":null,"Total":0}
引用次数: 3
摘要
本文讨论了在更广泛的欧洲背景下，现代荷兰和佛兰德艺术的历史和史学中的艺术“主义”主题，如构成主义、新造型主义、基本主义、未来主义、立体主义、表现主义等。以低地国家的历史艺术和文学先锋派为例，以其重叠的艺术“主义”复调为例，本文旨在仔细研究在现代艺术的历史和史学中使用“主义”所导致的各种限制和不精确，以精选的前卫形式为例，如De Stijl, Het Overzicht或7 art。
The ‘Isms’ of Modern Art: Belgium, the Netherlands, and Beyond
ABSTRACT This paper discusses the topic of artistic ‘isms’ in the history and historiography of modern Dutch and Flemish art in a broader European context – such as Constructivism, Neoplasticism, Elementarism, Futurism, Cubism, Expressionism etc. Exemplified by the case of the historical artistic and literary avant-garde from the Low Countries, with its polyphony of overlapping artistic ‘isms’, this paper aims to scrutinize various limitations and imprecisions that result from the use of ‘isms’ in the history and historiography of modern art, exemplified by selected avant-garde formations such as De Stijl, Het Overzicht or 7 Art.
京公网安备 11010802042870号
京ICP备2023020795号-1
分享
求助内容：
应助结果提醒方式：
扫码关注我们
