{"title":"Karen Tei Yamashita和魔幻现实主义:重新认识社区，消除边界","authors":"R. Hsu","doi":"10.3390/literature2040024","DOIUrl":null,"url":null,"abstract":"Yamashita’s use of mythic verism in Tropic of Orange and a reimagined doppelgänger trope in I Hotel depicts the ir/real nature of the taxonomy of identity and of Asian America and other minority groups being constituted in and beyond the mainstream or conventional understanding of the idea of America and of the identity of the US nation-state as being built upon discursive technologies of amnesia and misinterpellation of the subject of US history and its Other.","PeriodicalId":40504,"journal":{"name":"Childrens Literature","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2022-11-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Karen Tei Yamashita and Magical Realism: Re-Membering Community, Undoing Borders\",\"authors\":\"R. Hsu\",\"doi\":\"10.3390/literature2040024\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Yamashita’s use of mythic verism in Tropic of Orange and a reimagined doppelgänger trope in I Hotel depicts the ir/real nature of the taxonomy of identity and of Asian America and other minority groups being constituted in and beyond the mainstream or conventional understanding of the idea of America and of the identity of the US nation-state as being built upon discursive technologies of amnesia and misinterpellation of the subject of US history and its Other.\",\"PeriodicalId\":40504,\"journal\":{\"name\":\"Childrens Literature\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2022-11-07\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Childrens Literature\",\"FirstCategoryId\":\"1092\",\"ListUrlMain\":\"https://doi.org/10.3390/literature2040024\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Childrens Literature","FirstCategoryId":"1092","ListUrlMain":"https://doi.org/10.3390/literature2040024","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
Karen Tei Yamashita and Magical Realism: Re-Membering Community, Undoing Borders
Yamashita’s use of mythic verism in Tropic of Orange and a reimagined doppelgänger trope in I Hotel depicts the ir/real nature of the taxonomy of identity and of Asian America and other minority groups being constituted in and beyond the mainstream or conventional understanding of the idea of America and of the identity of the US nation-state as being built upon discursive technologies of amnesia and misinterpellation of the subject of US history and its Other.
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