Francisco Javier Sánchez-Verdejo Pérez, Jorge Poveda Arias
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引用次数: 0
摘要
植物是一种生物,与人类有着巨大的生物距离,作为一种强大而危险的陌生生物引起了文化的兴趣,尤其是在维多利亚时期。赫伯特·乔治·威尔斯(Herbert George Wells)的《奇异兰花之花》(The blossom of The Strange Orchid, 1894)讲述了一位兰花收藏家如何被他最新的藏品袭击至濒死。这种植物用“触手状的空中根茎”攻击人类,就像吸血鬼吸食他的血液一样。然而,温特-韦德伯恩被他的管家救了出来,这棵植物立即死亡。这个故事是在一个对兰花和食肉植物非常着迷的历史时刻写的。从文学上看,这个故事与许多伟大的人物相比较,比如美杜莎和她的触手,德古拉,卡米拉,甚至IT。与此同时,这是一个具有很强的植物科学内容的故事,涉及诸如兰花获取营养的机制,它们的开花,“狩猎”对食肉植物生存的重要性或寄生植物的生物学等方面。总之,威尔斯的故事利用文学小说和当时最前沿的植物科学知识,对人类与自然联系的方式进行了重要的批判。
«The Flowering Of The Strange Orchid»: From Plant Science To Victorian Horror From a Multidisciplinary Approach
Plants are organisms whose great biological distance from humans has aroused cultural interest as powerful and/or dangerously unfamiliar creatures, especially during the Victorian period. «The Flowering of the Strange Orchid» (1894), by Herbert George Wells, tells how an orchid collector is attacked to near death by his latest acquisition. The plant attacks the human with its «tentacle-like aerial rootlets», like a vampire feeding on his blood. However, Winter-Wedderburn is saved by his housekeeper, and the plant dies instantly. The story is written at a historical moment of great fascination with orchids and carnivorous plants. Literarily, the story has numerous comparisons to great characters, such as Medusa and her tentacles, Dracula, Carmilla, and even IT. At the same time, it is a story with a strong plant science content, dealing with aspects such as the mechanisms used by orchids to obtain nutrients, their flowering, the importance of «hunting» for the survival of carnivorous plants or the biology of parasitic plants. In conclusion, Wells' story makes an important critique of the way man relates to nature using literary fiction and the cutting-edge plant science knowledge of his time.
期刊介绍:
Brumal. Research Journal on the Fantastic is presented as an interdisciplinary and multilingual publication aimed at researchers and specialists. The fantastic is understood here as an always problematic confrontation between the real and the impossible in a textual world imitating ours. Therefore, other non-mimetic genres like science fiction or fantasy, which do not adhere to this definition, are excluded in Brumal. Linked to the Grupo de Estudios sobre lo Fantástico (GEF, Research Group on the Fantastic) from the Universidad Autónoma de Barcelona (www.lofantastico.com), Brumal welcomes works on the fantastic dealing with its different artistic manifestations (narrative, theatre, cinema, comic, painting, photography and video-games), in any language and from any country during the 19th, 20th and 21st centuries. Texts can be sent in Spanish, Catalan, Galician, English, French, Portuguese or Italian. Brumal is structured in three differentiated sections (Monograph, Miscellaneous and Reviews) and will be published every six months (december and june).