1989年以来的东欧电影产业:融资结构和工作室

IF 1.7 3区 文学 Q2 COMMUNICATION Javnost-The Public Pub Date : 1999-01-01 DOI:10.1080/13183222.1999.11008710
D. Iordanova
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引用次数: 10

摘要

【摘要】东欧转型的十年历程,让我们从这场波澜壮烈而深刻的文化管理变革中,总结出重要的经验教训。上世纪90年代初,东欧文化产业是第一批遭受大规模削减和安全资金撤出的产业。电影受到的影响最为明显。在所有东欧国家,电影制作经历了不稳定的结构变化,在行政管理和资金筹措方面往往面临相互矛盾的任务。支离破碎的制作流程给许多电影人带来了创造力危机。问题包括不公平竞争、代沟加深、剧情片、纪录片和动画产量下降。发行和放映方面同时出现的危机导致所有带有东欧标签的电影的票房指标急剧下降。与此同时,一些东欧电影获得了国际评论界的好评。东欧电影的动荡与一场清晰的……
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East Europe’s Cinema Industries Since 1989: Financing Structure and Studios
AbstractThe decade worth of the East European transition allows us to sum up important lessons of the stormy and profound transformation in cultural administration. The East European cultural industries were the first ones to suffer massive cuts and withdrawal of secure funding early in the 1990s. Cinema was affected most notably. In all of the East European countries filmmaking underwent volatile structural changes and was subjected to often contradictory undertakings in administration and financing. The crumbling production routines caused a creativity crisis in many filmmakers. Problems included unfair competition, deepening generation gap, and decline in feature, documentary and animation output. The concurrent crisis in distribution and exhibition led to a sharp drop in box office indicators for all productions carrying an East European label. At the same time some East European films enjoyed an international critical acclaim. The volatility in East European cinema coincided with a clearly articulate...
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来源期刊
Javnost-The Public
Javnost-The Public COMMUNICATION-
CiteScore
2.50
自引率
0.00%
发文量
13
期刊介绍: Javnost - The Public, an interdisciplinary peer-reviewed social and cultural science journal published by the European Institute for Communication and Culture in association with the Faculty of Social Sciences, University of Ljubljana, addresses problems of the public sphere on international and interdisciplinary levels. It encourages the development of theory and research, and helps understand differences between cultures. Contributors confront problems of the public, public communication, public opinion, public discourse, publicness, publicity, and public life from a variety of disciplinary and theoretical perspectives.
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