Mutually exclusive disorder-dependent hearing discomfort in first-episode psychosis and panic disorder: two experiments using the same auditory stimulus set and two similar musical sequences.
Maria Lúcia de Bustamante Simas, Tamires Lima da Silva, Naianna Ribeiro Mocelin Dos Santos, Aline Mendes Lacerda
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引用次数: 0
Abstract
We investigated the level of hearing tolerance in patients with first-episode psychosis (FEP) and panic disorder (PD) as compared to two different groups of healthy controls (HC, HC2), one for each experiment, because we used two distinct psychophysical paradigms. We evaluated auditory discomfort of 28 volunteers (14 with FEP and 14 HC) in the first study and of 42 volunteers (21 with PD and 21 HC2) in the second study. We presented 20 sounds: 16 pure-tone frequency sweeps (specially designed for use with FEP) and 11 s or 13 s musical sequences from the very beginning of the music "Play the Game" (PLAY) from Queen and its reverses. The first procedure used a Likert-like 0-10 scale ranging from "nothing bad" to "too bad" where volunteers made vertical marks along a horizontal line according to their discomfort. The second procedure involved subjective magnitude estimation online due to the SARS-COV-19 pandemic. Sounds were placed online and played by PD and HC2 volunteers themselves after having listened to the standard (the first 8 s from RADIO, "Radio Ga Ga" by Queen). Then, PD and HC2 volunteers were asked to assign values equal to, or multiples of 10 that felt like, or proportional to, their hearing "discomfort" in comparison with Sound 00 (RADIO). Our findings showed that FEP volunteers assign more discomfort to the 16 specially designed frequency sweep stimuli that appear not to affect HC, HC2, and PD. On the other hand, musical sequences from PLAY caused strong discomfort to PD in the reverse mode, but did not seem to affect HC, HC2, and FEP. Further experiments using the exact same paradigm with FEP and PD are needed to explore these findings.
我们研究了首发精神病(FEP)和惊恐障碍(PD)患者的听力耐受水平,并将其与两组不同的健康对照组(HC, HC2)进行比较,因为我们使用了两种不同的心理物理范式。我们在第一项研究中评估了28名志愿者(14名FEP和14名HC)的听觉不适,在第二项研究中评估了42名志愿者(21名PD和21名HC2)的听觉不适。我们展示了20个声音:16个纯音频率扫描(专门为使用FEP而设计)和11秒或13秒的音乐序列,从皇后乐队的音乐“Play the Game”(Play)开始及其反转。第一个程序使用李克特式的0-10级量表,从“没什么不好”到“太糟糕了”,志愿者根据他们的不适程度在水平线上做垂直标记。第二个程序涉及由于SARS-COV-19大流行而进行的在线主观量级估计。PD和HC2志愿者在听了标准后,将声音放在网上播放(来自RADIO的前8秒,皇后乐队的“RADIO Ga Ga”)。然后,PD和HC2的志愿者被要求给出与声音00 (RADIO)相比,他们感觉听力“不舒服”的值等于10或10的倍数,或与之成比例。我们的研究结果表明,FEP志愿者将更多的不适分配给16种特别设计的频率扫描刺激,这些刺激似乎不会影响HC, HC2和PD。另一方面,来自PLAY的音乐序列在相反的模式下对PD造成强烈的不适,但似乎对HC, HC2和FEP没有影响。需要使用完全相同的FEP和PD范式进行进一步的实验来探索这些发现。
期刊介绍:
Psicologia: Reflexão & Crítica is a journal published three times a year by Programa de Pós-Graduação em Psicologia do Desenvolvimento (Psychology Graduate Program) of the Universidade Federal do Rio Grande do Sul - UFRGS (Federal University of Rio Grande do Sul). Its objective is to publish original works in the psychology field: articles, short reports on research and reviews as well as to present to the scientific community texts which reflect a significant contribution for the psychology field. The short title of the journal is Psicol. Refl. Crít. It must be used regarding bibliographies, footnotes, as well as bibliographical strips and references.