Estimating and Reproducing Ambience in Ambisonic Recordings

L. McCormack, A. Politis
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引用次数: 4

Abstract

Spatial audio coding and reproduction methods are often based on the estimation of primary directional and secondary ambience components. This paper details a study into the estimation and subsequent reproduction of the ambient components found in ambisonic sound scenes. More specifically, two different ambience estimation approaches are investigated. The first estimates the ambient Ambisonic signals through a source-separation and spatial subtraction approach, and there-fore requires an estimate of both the number of sources and their directions. The second instead requires only the number of sources to be known, and employs a multi-channel Wiener filter (MWF) to obtain the estimated ambient signals. One approach for reproducing estimated ambient signals is through a signal processing chain of: a plane-wave decomposition, signal decor-relation, and subsequent spatialisation for the target playback setup. However, this reproduction approach may be sensitive to spatial and signal fidelity degradations incurred during the beamforming and decorrelation operations. Therefore, an optimal mixing alternative is proposed for this reproduction task, which achieves spatially incoherent rendering of ambience directly for the target playback setup; bypassing intermediate plane-wave decomposition and excessive decorrelation. Listening tests indicate improved perceived quality when using the proposed reproduction method in conjunction with both tested ambience estimation approaches.
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预估与再现双音录音中的氛围
空间音频编码和再现方法通常基于对主要方向分量和次要环境分量的估计。本文详细研究了在双声场景中发现的环境成分的估计和随后的再现。更具体地说,研究了两种不同的环境估计方法。第一种方法是通过源分离和空间减法来估计周围的双声信号,因此需要估计源的数量和方向。第二种方法只需要知道信号源的数量,并采用多通道维纳滤波器(MWF)来获得估计的环境信号。再现估计环境信号的一种方法是通过信号处理链:平面波分解,信号去相关,以及随后的目标回放设置的空间化。然而,这种再现方法可能对波束形成和去相关操作期间产生的空间和信号保真度下降很敏感。因此,本文提出了一种最佳混合方案,该方案可直接为目标播放设置实现环境的空间非相干渲染;绕过中间平面波分解和过度去相关。听力测试表明,当将拟议的再现方法与两种已测试的氛围估计方法结合使用时,感知质量有所提高。
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