Fixing Being with Likeness: Facial Recognition as the Stage for Global Per-Formance

C. Campanioni
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Abstract

This contribution uses a phenomenological and psychoanalytic framework to rethink the porous boundaries between  being  and  likeness . I move from a Surrealist advertising pamphlet produced in 1919 to the facial surgery techniques of 2018, contextualizing theories of the dyadic relationship between text and reader (Iser) with practices of image-solicitation and digital intimacy on the Internet. In unpacking self-surveillance techniques and state-run biometric technologies, this paper examines how our use of faces informs the ways our faces are used against us. Through analyzing how the performance of fantasy and the realization of authorship are imbricated through images of humankind, I research new developments in Augmented Reality avatars, linking the language of the face (Levinas) as a staging ground for potential empathy and conversely, systematic exclusion. In tracing the data double while looking at the biopolitical function of social media, this paper considers how our images of humankind fix our embodied nature while fixing others in place.
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以相似固定存在:面部识别作为全球表演的舞台
这个贡献使用现象学和精神分析的框架来重新思考存在和相似之间的多孔边界。我从1919年制作的超现实主义广告小册子转移到2018年的面部手术技术,将文本和读者(Iser)之间二元关系的理论与互联网上的图像索取和数字亲密关系的实践联系起来。在拆解自我监控技术和国家生物识别技术时,本文研究了我们对面部的使用如何告知我们的面部被用来对付我们的方式。通过分析幻想的表现和作者身份的实现是如何通过人类的形象交织在一起的,我研究了增强现实化身的新发展,将面部语言(列维纳斯)作为潜在移情的舞台,反过来,系统的排斥。在研究社交媒体的生物政治功能的同时,在追踪数据的双重过程中,本文考虑了我们的人类形象是如何在固定他人的同时固定我们的具体化本质的。
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