Raül Serra i Fabregà, J. L. Z. Mestre, Paloma Arias
{"title":"Smalti Murano Glass Tessella’s Applied Outdoor in the Trencadís Catalan Modernism Mosaic: Recognition of Preliminary Alteration Patterns","authors":"Raül Serra i Fabregà, J. L. Z. Mestre, Paloma Arias","doi":"10.23967/dbmc.2020.126","DOIUrl":null,"url":null,"abstract":"This contribution presents previous results of a study carried out with the aim of achieving better results in the restoration processes by replacing the tiles of an exterior mosaic tiling of the Trencadís type of Catalan Modernism. In this case the trencadís tiles come from the cutting of pieces, called piastras, of opaque and mass-colored glass called Smalti Murano glass. These companies have extensive color catalogs that, although not exactly the same as they were a century ago, are close enough for these replacement tasks. Each color corresponds, however, to a different composition of glass and a slightly different manufacturing process. These differences favor that the differences of color always go accompanied also of differences of superficial aspect. However, not all color references currently available have the same surface quality since this product, during its manufacture, acquires primary defects typical of artisanal processes. So far the predominant criteria for the selection of the new references of piastras that must replace the product damaged by the extensive exposure to the weather as a coating are based primarily on color. However, durability requirements must also be part of the selection criteria for substitution references. The primary defects that a product already presents in its superficial quality are often indicators of either a more irregular quality or of circumstances that favor the early appearance of secondary defects throughout its useful life. The main objective of this study is to ensure, in restoration work by substitution, the selection of the best piastras from the point of view of surface quality, to apply on site the most similar tiles of tone and with greater durability. This study is part of a collaboration between the study group LiTA (Laboratori d'Innovació i Tecnologia de l'Arquitectura) (UPC) and a private non-profit organization.","PeriodicalId":409611,"journal":{"name":"XV International Conference on Durability of Building Materials and Components. eBook of Proceedings","volume":"31 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"XV International Conference on Durability of Building Materials and Components. eBook of Proceedings","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.23967/dbmc.2020.126","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
This contribution presents previous results of a study carried out with the aim of achieving better results in the restoration processes by replacing the tiles of an exterior mosaic tiling of the Trencadís type of Catalan Modernism. In this case the trencadís tiles come from the cutting of pieces, called piastras, of opaque and mass-colored glass called Smalti Murano glass. These companies have extensive color catalogs that, although not exactly the same as they were a century ago, are close enough for these replacement tasks. Each color corresponds, however, to a different composition of glass and a slightly different manufacturing process. These differences favor that the differences of color always go accompanied also of differences of superficial aspect. However, not all color references currently available have the same surface quality since this product, during its manufacture, acquires primary defects typical of artisanal processes. So far the predominant criteria for the selection of the new references of piastras that must replace the product damaged by the extensive exposure to the weather as a coating are based primarily on color. However, durability requirements must also be part of the selection criteria for substitution references. The primary defects that a product already presents in its superficial quality are often indicators of either a more irregular quality or of circumstances that favor the early appearance of secondary defects throughout its useful life. The main objective of this study is to ensure, in restoration work by substitution, the selection of the best piastras from the point of view of surface quality, to apply on site the most similar tiles of tone and with greater durability. This study is part of a collaboration between the study group LiTA (Laboratori d'Innovació i Tecnologia de l'Arquitectura) (UPC) and a private non-profit organization.
这篇文章介绍了之前的一项研究结果,该研究的目的是通过替换加泰罗尼亚现代主义Trencadís类型的外部马赛克瓷砖,在修复过程中取得更好的结果。在这种情况下,trencadís瓷砖来自于被称为piastras的不透明和大量彩色玻璃(称为Smalti Murano玻璃)的切割。这些公司拥有丰富的彩色目录,尽管与一个世纪前的不完全相同,但足以应付这些更换任务。然而,每种颜色都对应着不同的玻璃成分和略有不同的制造工艺。这些差异有利于颜色的差异也总是伴随着表面的差异而去。然而,并不是所有可用的颜色参考都具有相同的表面质量,因为该产品在制造过程中,获得了典型的手工工艺的主要缺陷。到目前为止,选择新材料的主要标准是颜色,这些材料必须取代因长期暴露在天气下而损坏的产品。然而,耐久性要求也必须是替代参考选择标准的一部分。一个产品在其表面质量上已经表现出的主要缺陷往往是一个更不规则的质量的指示器,或者是在其使用寿命中有利于次要缺陷早期出现的环境的指示器。本研究的主要目的是确保在替代修复工作中,从表面质量的角度选择最佳的piastras,在现场应用最相似的色调和更大的耐用性瓷砖。这项研究是研究小组LiTA (Laboratori d'Innovació i Tecnologia de l’arquitectura) (UPC)和一家私人非营利组织合作的一部分。