Cultural roots and nostalgia: Exploring cultural identity and sense of belonging through animation practice

Eleonora Asparuhova, M. Patera
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引用次数: 1

Abstract

Animation, both as an art form and a storytelling medium, offers a variety of creative avenues for self-expression. The animator’s cultural background, depending on the individual, can have a strong influence on their practice, which can be elicited from their stylistic choices as well as their approach to storytelling and technique. This article discusses how an autoethnographic reflection into animation practice, in particular the early stage of idea formation, has uncovered questions about cultural identity and sense of belonging when living abroad. It explores the role of nostalgia in the creative process and questions whether the feeling of homesickness can influence ideas and act as a spur to create work inspired by the animator’s culture and heritage. The article discusses three short animations produced by the lead author and the thought process that led to the decision to base them on Bulgarian folklore, music and literature while living in the United Kingdom.
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文化根源与怀旧:通过动画实践探索文化认同与归属感
动画作为一种艺术形式和讲故事的媒介,为自我表达提供了多种创造性的途径。动画师的文化背景会对他们的实践产生很大的影响,这可以从他们的风格选择以及他们讲故事的方法和技术中得出。本文讨论了自我民族志对动画实践的反思,特别是思想形成的早期阶段,如何揭示了在国外生活时文化认同和归属感的问题。它探讨了怀旧在创作过程中的作用,并质疑乡愁的感觉是否会影响思想,并作为一种激励,以动画师的文化和遗产为灵感创作作品。本文讨论主要作者制作的三部动画短片,以及他在英国生活期间,决定以保加利亚民间传说、音乐和文学为素材的思考过程。
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