Allies and Enemies: Periodicals as Instruments of Conflict in the Florentine Avant-garde (1903-15)

Anna Baldini
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引用次数: 1

Abstract

In 1903 Giovanni Papini, a 22 year-old aspiring philosopher who would soon channel his rampant ambition into literary writing, was a founder of the philosophy magazine Leonardo (1903-7). A group of young intellectuals and artists, here defined as the Florentine avant-garde,  gathered around this periodical and its successors, La Voce (1908-1916) and Lacerba (1913-15). By drawing on Bourdieu’s sociological theory of cultural fields, this essay explores how the intellectuals writing for these periodicals established a powerful intellectual network and criticized the cultural institutions of the period: universities, the press, the literary and the artistic markets. By tracing individual biographies and intellectual trajectories, this essay also highlights the conflicts that arose within the Florentine avant-garde and between it and the Futurists led by Filippo Tommaso Marinetti. 
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同盟与敌人:期刊作为佛罗伦萨先锋派冲突的工具(1903- 1915)
1903年,22岁的乔瓦尼·帕皮尼(Giovanni Papini)是哲学杂志《列奥纳多》(Leonardo, 1903- 1907)的创始人之一。帕皮尼当时志向远大,不久便将自己的野心转向文学创作。一群年轻的知识分子和艺术家,在这里被定义为佛罗伦萨先锋派,聚集在这个期刊和它的继任者,La Voce(1908-1916)和Lacerba(1913-15)。本文借鉴布迪厄关于文化领域的社会学理论,探讨了为这些期刊写作的知识分子如何建立一个强大的知识网络,并对当时的文化机构——大学、新闻界、文学和艺术市场——进行了批评。通过追溯个人传记和思想轨迹,本文还强调了佛罗伦萨先锋派内部以及它与以菲利普·托马索·马里内蒂(Filippo Tommaso Marinetti)为首的未来主义者之间的冲突。
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