Signifyin(g) within African American Classical Music: Linking Gates, Hip-Hop, and Perkinson

Abstract

Many authors have had occasion to explore the practice of signifyin(g), a seminal expressive concept within African American culture most often described as a rhetorical and literary device. Few, however, have examined the practice of signifyin(g) within African American musical composition in the European, or “classical,” style. This article explores the application of signifyin(g) as an analytical lens in the examination of “classical” music by African American composers, beginning with the previous investigation of signifyin(g) practices within other forms of African American music, ranging from Miles Davis's jazz standards to the lyrics of Nas and Cardi B. This exploration concludes with the analysis of a specific classical work by an African American composer (Coleridge-Taylor Perkinson's Lament for Viola and Piano) as a case study.