The Birth Metaphor in Anna Lesznai’s Difference Feminism

Mari Réthelyi
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Abstract

Anna Lesznai (1895-1966), a Hungarian artist and writer of Jewish descent, was a well-known figure of the Hungarian avant-garde. Lesznai’s view of womanhood that is contained in the unstructured writings of her diary, addresses one of the major questions of the time: What makes women feminine and how do women construct their female identity? Her view of gender as founded in biological sex reflects her era when women’s birthing capability was the focal point of their role and identity. Lesznai’s view of the female self is constructed through two kinds of birthing—biological and creative. She asserts that birthing is an action in which women actively and voluntarily participate, giving agency to women and empowering them more than men who are barren. Lesznai redefined the role of women as a birth-giver, rather than a mother.  
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安娜·莱兹奈的差异女性主义中的出生隐喻
安娜·莱兹奈(Anna Lesznai, 1895-1966)是匈牙利犹太艺术家和作家,是匈牙利先锋派的知名人物。莱兹奈对女性的看法包含在她日记的非结构化写作中,解决了当时的一个主要问题:是什么让女性变得女性化,女性如何构建自己的女性身份?她建立在生理性别基础上的性别观反映了她所处的时代,当时女性的生育能力是她们角色和身份的焦点。莱兹奈的女性自我观是通过生理性和创造性两种诞生方式建构起来的。她断言,生育是妇女主动自愿参与的行动,赋予妇女代理权,使她们比不能生育的男人更有权力。莱斯奈将女性的角色重新定义为生育者,而不是母亲。
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