Grounding Emerging Scholarship on Queer/Trans* Chicana/o/x and Latina/o/x Pedagogies

José M. Aguilar-Hernández, Cindy Cruz
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引用次数: 2

Abstract

In this article, the author explores the concept of terquedad or waywardness as a blueprint towards gender/queer justice in education. Using María Lugones’s (2003) theorizing resistance against multiple oppressions, the author presents Gloria Anzaldúa’s' writings in Borderlands/La Frontera (1987) and This Bridge Called My Back (1981/2015) as a project of storying the plurality of terquedad. In doing so, the author calls for a theory and praxis of terquedad as a framework to understand the embodied resistances queer and trans-Latinx/e students deploy as textual inconveniences to push back and resist the “institutional grammars” of U.S. universities (BonillaSilva, 2012; Crawford & Ostrom, 1995). Through a plática methodology (Fierros & Delgado Bernal, 2016), the author introduces Quiahuitl, a doctoral student engaging with a praxis of terquedad when confronted with institutional and sexual violence as she moves within and against the geographies and power structures of the university.
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基于新出现的酷儿/跨性别* Chicana/o/x和拉丁裔/o/x教学法的学术研究
在这篇文章中,作者探讨了作为教育中性别/酷儿正义蓝图的古怪或任性的概念。作者利用María lugoones(2003)对多重压迫的理论化抵抗,将Gloria Anzaldúa在Borderlands/La Frontera(1987)和This Bridge Called My Back(1981/2015)中的作品作为一个项目,讲述了terquedad的多元性。在此过程中,作者呼吁建立一种以terquedad为框架的理论和实践,以理解酷儿和跨拉丁裔/e学生作为文本不便来抵制和抵制美国大学的“制度语法”(BonillaSilva, 2012;Crawford & Ostrom, 1995)。通过plática方法(Fierros & Delgado Bernal, 2016),作者介绍了Quiahuitl,一名博士生,当她在大学的地理和权力结构中移动时,面对制度和性暴力时,她参与了一项实践。
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