Perverse, Anthropocentrism, and Posthumanism in Two of Edgar Allan Poe’s Stories

Quan Wang
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引用次数: 1

Abstract

Industrialization revolutionizes human life and engenders anthropocentrism. Edgar Allan Poe ruminates on the repercussions of anthropocentrism in his stories and speculates about a posthumanist world. “The Imp of the Perverse” challenges the prevailing standard of reason and compels us to discover the underlying world that brings current situations into existence and legitimizes perverse phenomena. The three examples of the perverse, namely, circumlocution, procrastination, and abyss obsession, outline the latent coordinates of human identity: species, time, and space. The fourth instance recapitulates the three coordinates and features underdeveloped aspects. The abrupt ending of the story (“but where?”) plunges readers into textual instability. “MS. Found in a Bottle” continues the journey of the suspended plunge: anthropocentric departure, disoriented temporality, multidimensional space. The juxtaposition of these two stories illuminates Poe’s reflections on anthropocentric hubris and posthumanist speculation.
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埃德加·爱伦·坡两部小说中的反常、人类中心主义和后人类主义
工业化革新了人类的生活,产生了人类中心主义。埃德加·爱伦·坡在他的小说中反复思考人类中心主义的影响,并推测一个后人类主义的世界。《乖谬的小鬼》挑战了普遍的理性标准,迫使我们去发现导致当前情况存在并使乖谬现象合法化的潜在世界。这三个反常的例子,即绕弯子、拖延症和深渊强迫症,勾勒出人类身份的潜在坐标:物种、时间和空间。第四例对三个坐标进行了概括,并指出了不完善的方面。故事的突然结尾(“但是在哪里?”)让读者陷入了文本的不稳定之中。“瓶子里的ms”继续了悬空的跳水之旅:以人类为中心的出发,迷失方向的时间性,多维空间。这两个故事的并列体现了坡对人类中心主义的傲慢和后人类主义的思考。
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